I think this is a B.
I think this is a B.
I have an LPG tank. If that doesn't tickle your fancy, you can get it in cylinders.
I thought of his own reluctance to kill walkers at the fence etc - how he could only do it when they posed a direct threat. I wondered if he took Lizzie's point as expressing a similar reluctance, and could understand her point.
Lizzy apparently wanted them all to turn into walkers. Doesn't mean she's going to get that.
Carol can recognise she did wrong. She can have some regret. Lizzie simply could not understand how she was wrong.
I don't understand why you suppose Carol would want Lizzie to be a walker. Because Lizzie wanted to be one, or because Carol would see it as a punishment?
I would suppose Carol thinks that people she knew should not be walkers.
I think there's some characters which, through a mix of the talents of the actor and the incompleteness (half-arsedness) of the character-as-written - being there to make up the numbers and getting the occasional line or reaction - have a suggestion of an inner life. Carol is the most obvious example - slated to be…
Do you mean gay as in homosexual? In which case, I'm having trouble seeing the connection - perhaps you could expand on that.
The green ears thing can fuck off. Marty's leap to it might work for another explanation than 'he had paint on his ears'. Cohle had the line about small details breaking a case, and he did use the words 'fresh' and 'green' fairly close together. So yeah, some connection like that being made seems plausible. It's hard…
Does Cohle grab Hart by the shoulders, say, "It's your kids, Marty. Someting's gotta be done about your kids." and they fly off to the future in a DeLorean to stop future Maisie resurrecting the cult?
Don't be so presumptuous.
Nope, me too. I think it had the same problems it's had all along, but had plenty good about it.
Sorry, but until I get my sarcasm-meter fixed, I can't trust you either way.
Again with the sarcasm. Tch.
When Maggie and Rust fuck in '02, in a pretty desperate, messed up, visceral way (and in a setting which should be a bit offputting - dead/missing person photos, cult paraphernalia - unless she's trying to out-Goth Audrey. And what was that line about 'everywhere you look, you see yourself'?), when they're done she…
Me too. Is there any meaning in the 17 year gap? Could there be something covered up from '78? Lange was placed behind a tree on a farm track, and attention drawn to her by the fire, and might have remained hidden for some time otherwise - how was the Lake Charles victim found? Have others been placed on open display…
I noticed and edited. I presume Whovian (and yourself) would need to refresh the page. Don't think the sarcasm was necessary either way.
I assume you're being sarcastic. Why would you do that?
When Marty visits Maggie, there's a brief panning shot of photos on the mantlepiece. The first is a young woman graduating - presumably Maisie. The second is Maggie with presumably Mr Sawyer. The third is a young woman stood next to a painting.