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James
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I mean that if Daniel did it, it was for some sort of reason that he perceived as noble, and not a crime of anger or passion. Maybe she was in a bad state physically, we simply don't know for sure at this point.

I'm leaning that way too.

The scene where Tawney tells Teddy she wants him to change the locks seemed pretty harsh to me. I mean really now, we all know Tawney sees herself as a delicate little flower and Teddy's not exactly the kind and sensitive type, even allowing for recent developments, but she is moving back into his house and he assured

That whole show (TD S2) played like a comedy to me, and a not very funny one at that.

Nice analysis. I came from a "broken home" (my, doesn't that phrase sound trite these days?) too, and I've definitely had commitment issues my whole life. A combative home life when you're young rarely seems like a big deal at the time, but over the ensuing years it almost always manifests itself in dysfunctional

I think we're headed for a twist next season. Either the murderer was someone outside the current group or it was Daniel, probably as some sort of mercy killing.

The bad blood between Amantha and John is devastating too. They seem like they belong together, but I don't know if that's possible now. This series rarely indulges pure sentimentality or feel good answers.

Looks like the "extended" finale tonight will only be 10 minutes. Better than nothing I guess.

I had the constant feeling that the writer had written a special gag part just for Vaughn that only he and and Vince were aware of. Then he took him aside before the shoot and told him, "Vince, I have written the stupidest, flattest, most lame dialog EVER, JUST FOR YOU, that I want you to compound by delivering every

The "plot" (as it were) "sorta kinda" held together, but it was such a convoluted mess by the end that most of us simply quit caring. I just wanted to see how the main characters came out, and as you noted, it reverted to trope: the men die heroes(?), and the women gamely soldier on (with a trophy!) in their memory. I

I actually felt bad for her once Ray and Ani's hookup was revealed. She was quite obviously gaga over Ray, and had 10 times the personality of Ani, not that that's saying much.

Lovin' the turgid usage.

Just once I just wanted to see Vaughn crack a faintest glimpse of a smile after one of those lines so that I could know he was in on the joke. I think the whole thing would have been so much better!

The message to young master Chad that never got through? One can only imagine what Burris might have done with that if he found it.

Too bad he had to drive practically the length of the state to get to that scene. No real explanation for that either. If all he wanted was a remote shoot out with the posse, why not settle for something a little closer, like within the range of a tank of gas at least? Although the Redwoods definitely made for an

Oh, and the Mexicans were damn near a sight gag, they were so predictable. Wherever they were, Frank Semyon was right behind (or vice versa), just begging for another beat down. If they weren't playing this for deadpan comedy, they certainly should have been. I loved it!

Kind of a Silence of the Lambs type ending then, I guess.

Without going into why they picked that little red headed pudge ball to play Velcoro's spawn again, I had myself a little personal LOL moment on the 2nd watch through when they closed in on the kid at the end to reveal that he was Ray's 2nd little love muffin, imagining the kid revealed to have a little five o'clock

I loved all the music. I know it was fashionable to make fun of Lera Lynn's role in this mess, but the music and the tone it set was great to my ears.

Did anyone pick up on where Ani and Jordan were headed at the end, or was that just a way to transition away from the reporter in the hotel room? They said something about a long trip ahead I believe, but weren't specific. And the one loose thread left dangling is that Ani still had her sister and father up north in