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Yes, their faces spoke volumes. It seemed that the point of the episode was that everyone is growing "just tired" of their jobs to the point that "getting fired" is actually being considered as a possible outcome on both sides. I was wondering when Stan's confession would surface. And it really works. It's such a Stan

I love Giamatti, but it's difficult to watch him play this character because he's such an annoying little twat. Sometimes his little neck bobble makes me want to rage quit. Further proof that he is playing the character well, though. I'm just glad they are doing a better job of capturing his velvet tones, because

He was better than a lot of real lifers I have seen on TV. However, I think I like him less now than before after seeing this.

Sorry, just catching up…

I thought this line could have been left out, and replaced with something more substantive.

Yes, what Aaron said. So you can't disagree that I think the reviewer should validate fans' opinions, because I am not advocating that.

I had the feeling that he was selling her about "their secret place" to make her believe it so that if she did eventually cave, she would at least seem convincing. In the end, it's a moot point, because that wasn't the point of the scene at all. The point of the scene was to provide a rationale for Saul to stay and

I think most of this season has been crap but when I see a grade-A episode, I'm willing to admit it. Josh, you should do the same. This is the kind of episode most fans of the show want to see. I found myself disappointed when the episode came to an end, and that is something I haven't experienced in over two months.

I am growing more and more convinced that the show's constant obsession regarding Henry's whereabouts is a contorted homage to Martin Handford. Before Wally/Waldo there was the Vapors. I am sort of waiting for Turning Japanese to pop up in the soundtrack at some point.

This episode had a very Good Wife vibe to it, which to me is a bit of a bad thing. It was also unsettling to see such a serious issue handled in a campy—and worn out—Good Wife fashion. The Good Fight has its own similar yet unique voice, and it should stick with its merits. I really don't want Quinn to become Alicia

So basically, this is yet another one of those shows with a great, capable group of actors who really have their work cut out for them and do a fine job of it in spite of the plot being complete garbage. There's enough in script for the actors to work their magic, but it constantly feels like all this work is going to

Wow, is this one of the best spin-offs ever? It's looking that way. There's a lot to like. I tuned in to watch every episode of the Good Wife during its run, not for its case of the week or to find out Who's F-ing the Florricks, but for its freak of the week cameos. This show always excelled at efficiently developing

I usually skip the review proper and jump down here for the more thought-provoking commentary. That was a good catch on your part.

I don't remember it either. For all we know the reviewer watched the episode months ago and is just now posting their review on an episode that has been edited since then.

I hope the 10th episode will be him staring into space for 60 mins. I would watch that, because it would be 10 times better than whatever is currently happening in this show.

I think part of the draw, for me anyway, is the nostalgia. The '80s music, fashions, TV shows, and the Cold War possibility of being nuked tomorrow that you put in the back of your mind. I was the age that these kids are. I think most of all though was the Echo & the Bunnymen track used in episode 4 of the first

I am just hate watching this show now. It's so, so bad. Isn't it supposed to be about spies and stuff?

As soon as I saw Quinn getting hauled away, I knew the last line to be spoken in the episode would be, "Hello Peter." The only surprise was that it wasn't Dar saying it.