They also have a grown woman walking around in a glowing icicle pendant.

Oh, I think she should freeze the multiverse and become the Big Bad. Why not?

Berlanti's attention being drawn to more universe-building didn't help, either.

Also, could they turn on some fucking lights over there at SHIELD?

The idea of Barry vibrating the train through the debris was downright awesome. The acting in the train car really sold it. The 'ghost train' SFX was ridonk. Come ON.

"I had a lot of training. The first Wells…"

I love that the reviewer called out Laura Palmer's mom. I just described this show at work as "Drew Barrymore becomes a zombie. Her husband is that hot drug dealer guy from Go, and both the black guy from Event Horizon and the Spanish guy from Desperate Housewives are on it!" If nothing else, the show is pop-culture…

Sarah Michelle Gellar.

SERIOUSLY.

I think it's less than she gets better and more that she adjusts to the medium (serialized television.)

That actor (Skyler Gisondo) is just insanely talented. That character could easily be one-note and he's playing a symphony.

I'd really like for the writers NOT to use car chases in the story, especially because The Flash and Twink Flash can, you know, outrun them easily and all?

You know, I keep waiting for this show to make the great, glorious leap into either camp nirvana or aware, campy nirvana, and it keeps missing the mark by a hair.

So. Much. THIS.

Well, to be fair, Tom Welling, insanely gorgeous though he may be, makes Madonna look like Meryl.

"Remember that trip to Appalachia, Barry?"

deleted because needlessly bitchy.

Wait until the Flash/Kid Flash/Iris love triangle next season.

…and now you're fucking!

"Each time you come home, you'll remember when you were brother and sister!"