In the FBI war room, there seems to be more written on the white board to the left. Something about E-coin.

they made heavy use of the lens flare and slow dolly in this episode.

I think the opposite.

The phone seemed redder that most 1980's "red phones". They always tended to be darker in colour.

The child sort of looks like a young Angela and the level of technology would match that of her youth.

What is the interview that Dom is talking about? Interrogation of Darlene?

For a show so much about dichotomies and "split" characters, is it interesting that Whiterose is sort of a symbolic "fusion"?

What symbolism are we supposed to take away from the death of the big fish? Is the new economic world supposed to be some sort of victory for the little guy?

If Whiterose is so obsessed with time wouldn't they talk faster? all those dramatic pauses! geez!

brilliant how a tennis ball on a string in a garage is used as shorthand for "this is suburbia"

Wasn't the Nutella guy supposed to invoke George Washington Carver or something?

yeah. Esmail makes references all over the place.

what kind of mayonnaise is used for elote, Mexican sweet corn?

pressing on a Kewpie bottle feels very good. So soft!

thank you!

how was the neon light of Lupe's still glowing?

maybe she mentioned a Nathan's hotdog. That would have kept Darlene riveted. And maybe she'd want Dom to take her away.

Darlene won't give up anything but remember Angela is confessing at the same time. It will all point to Elliot.

the fast pop up to squeeze off her rounds was well done.

I'm glad they let Angela act without too much dialogue. She does a lot work with her eyes. The longing look out to the platform after Elliot leaves was masterful.