I would have forgiven it if it ended with a Pizza Hut chyron and some voiceover about it being a Pizza Hut ad all along. Alas, it wasn't, and it was just strange.
I would have forgiven it if it ended with a Pizza Hut chyron and some voiceover about it being a Pizza Hut ad all along. Alas, it wasn't, and it was just strange.
I believe he had a black metal project called Werewolph or something like that, where the "album cover" was a pizza with a pentagram made of pepperoni.
He also did "Holy Diver" by Dio and "Mother" by Danzig.
Even the unofficial 3-parter in Season 3, the Meteor Shower Trilogy where Kyle & Kenny go to Jew Scouts; Shelly babysits Cartman; Randy and Gerald get in a hot tub together; always seemed like better constructed episodes than most of the other singular episodes that season.
One of my favorite continuity-related bits is in "The Jeffersons", when they replace Blanket with another kid, and it's not until he dies that you realize, "Oh, of COURSE that was Kenny", even though he was unmasked and speaking clearly for the first time since Bigger Longer and Uncut.
I literally experienced the worst traffic of my life this morning. My GPS kept giving me alternate routes as shortcuts to avoid the main highways, and every time I'd pull onto a new road, that road would inevitably be at a full-stop after 2 minutes of cruising. I was furious, and had to laugh at myself when I realized…
Maybe, but I don't think Ben knew that either, because right before he kills Jacob, he talks about "all your lists", which gave me the impression that Ben never really understood their point at all (I'm guessing Richard relayed the list instructions to Ben at some point early on in Ben's rule whenever new people would…
You forgot "Come on" and "ha-HAH!"
And Michael Stipe said aluminum tastes like fear. Why the hell was he eating aluminum?! What a dummy.
I suppose it doesn't need to be one, though I would prefer that. To me, a primetime network TV hour long drama shouldn't basically amount to a 15 hour prequel to a feature film, which only makes sense in retrospect AFTER the film, followed by more story that continues to only make sense after the film. I can't be…
Well, in my opinion, AOS fails as a standalone piece of art.
A) That is pretty cool, no sarcasm.
2) I was responding with two separate quotes from Wayne's World to your first comment, in case you weren't aware.
D) Is that Italian restaurant any good? And is it near the bar that Rooney goes into when he mistakes a woman for Ferris?
I know, I was just being a sarcastic prick in saying that "yes, clearly he is similar to the guy whose similar role he replaced in Ghostbusters II". It's a good point you made.
I've read this type of comment multiple times. "Man, AOS got so much better after episode 16!!" So it took a Hollywood MOVIE to come out and then that would somehow make the show better? No thanks. Every episode I saw prior to episode 16 was not good. That show was not as fun as it needed to be, for me, and it took…
You recently asked Tim Daly about it, I'm assuming you asked Dan Lauria about the Waco movie? I remember him being really good in that when I watched it on TV as a kid (I was probably 10 at the time).
"I was not aware of that! Get right out of town!"
Really? He's like the guy whose role he ostensibly replaced in the Ghostbusters franchise? You don't say!
I always got them confused too. When I saw Spaceballs for the first time in a while in 2003, I had to look it up to confirm that Wyner was, in fact, NOT Jeffrey Tambor.
Timothy Bottoms played Bush. Completely unrelated trivia, Timothy Bottoms played Joe Bonham in Johnny Got His Gun. In layman's terms, he was the stumpy guy in Metallica's "One" video.
And 1 day before his 45th birthday, no less, with the gun that Marvin had given to his father as a Christmas present to ward off intruders.