The sharks and the cage were a complicated metaphor for gender inequality!

Yea, it's clear that Lydia sees herself as one of the heroes of her story. Serena Joy is slightly more self-aware that she fucked herself over, but on balance she's willingly inflicted too much pain on others for me to pity her too much.

Compared to most TV it's great, but I still think it failed to fill those big ole boots left behind by S1.

I know I'm replying to a 2 years old comment lol, but the director talks about exactly this scene in an NYTimes segment. He also discusses the reason for the high heels. https://www.nytimes.com/vid…

So we're going to go through every permutation and derivative of "house, "haunt", and "hill" now? When's Hillside Haunted House coming out?

I'm gay and I'm surprised that anyone would be surprised at how random the internet is in 2017. This is pretty tame.

Everyone who would have had a strong opinion has already died of potato overdose.

But that's the hottest part!

That was my reaction too, but everything about the way the scene was presented and the musical cues indicates that it was somehow supposed to be a "heartwarming moment."

The end with Pennsatucky cuddling up to her rapist, as if we're supposed to interpret it as "she finally found some happiness" really bothered me. Boo was the voice of reason pointing out how twisted that is for a while, and I wish there was some other mechanism for them to keep pointing out the complexity of an…

Whoop finally finished my binge!

The funny thing is that by sending the subtweet to someone else to tweet, it loses its status as a subtweet and just becomes a lame, generic joke. The point of a good subtweet is to have the context of who's sending it, which makes an entertaining game of whom they might be referring to.

Up to this episode for now, and I just want to say that Daniella de Jesús (Zirconia) is killing it. Something about her comedic timing and line delivery is just magical.

The strip routine was definitely fan service, and I'm ok with that because Evan Hall is delicious.

It's basically the sonic equivalent of that Pepsi ad. People can see right through "commercialized activism."

I've had some issues with the "sitcom-y" dialogue of some of the characters since season 1, but the neo-Nazi characters especially rubbed me the wrong way. Something about their dialogue has always seemed… off.

Some of the newer ones can get a bit bloated and self-referential, which ruins the atmosphere (I can't think of a particular example right at this minute— the list grows fast these days). Most of the originals are classics because it really feels like you're reading a dry, encyclopedic report of oddities.

Nosleep's community was great at voting up original horror stories until it started showing up in /r/all.

It's like the Bechdel test of queer representation!

"One of the best" and not "the best" gives it some leeway imo. The Babadook is definitely top 10 in the past decade.