Partly because it's outrageously popular, and came with a built-in fanbase from a successful comic book series, and partly because the (really) uneven quality after the first season can be really bothersome once you've become invested in watching.
Partly because it's outrageously popular, and came with a built-in fanbase from a successful comic book series, and partly because the (really) uneven quality after the first season can be really bothersome once you've become invested in watching.
*Gasp* just like Cheryl's old Gypsy woman said!
I always liked their relationship because Peggy treats Bobby's ideas seriously instead of shooing him away or talking down to him, and the 'competitions' are part of that. At the end of the day, Bobby gets a lot of support from Peggy.
I always loved that the resolution to the "Leslie's mom hitting on Ben" plotline was her just bursting out laughing. Just a perfect way to resolve the ridiculousness.
Something something Joker world-burning quote.
So true. The difference is that The Strain at least recognizes its moments of campy B-movieness every now and again (Z-Nation even more so). But FTWD is trying to take itself verrry seriously.
Yeah, what a lot of people call stagnation I simply call convergence to good design. Compare the most recent UIs for Apple and Android and they really aren't significantly different. Besides which, tech history is littered with really ridiculous "novelty" concepts.
This was Fallon's "Frost v. Nixon" moment, except no one's gonna make a movie about this infantile trainwreck of an interview.
It's certainly weird and little bit "tryhard edgy", but if I search my soul I still have to put it ahead of getting matching couple's tattoos.
I think DN did a good job especially by juxtaposing Light and L. You have two coldly logical geniuses, but one is a mature, sympathetic adult and the other is this teenage asshole with a horrible weapon. We are supposed to listen to L when he calls out Light on being basically an edgy teen with a superpower, not some…
To be fair, critics didn't have a lot to compare it to at the time. There were like three other movies around that would qualify as "found footage horror documentaries". But the editing of BWP surely had a lot to do with its success— it takes a lot of work to have an "organic" found-footage film that still has great…
I feel like fast zombies are the only way I can take seriously the idea of zombies completely crippling an advanced city. Night of the Living Dead is iconic partly because of its setting— middle of nowhere, trapped in an old farmhouse, surrounded by zombies. In contrast, I think the Snyder remake of Dawn of the Dead…
This is the first time I'm hearing of someone writing off an actor just because he left their favorite show to pursue other projects. Like, no actor would leave a steady job on a great show unless there were good reason.
Because according to these people, America is a wonderful country with the freest people in the world, just don't you dare try to exercise those freedoms.
You make a very good point, sir/ma'am.
There's a rumor going around that they are the Walking Dead.
Don't get me wrong, there is a lot of awful rap out there. But the whole "I only like obscure Mongolian throat singing and 60s Russian sci-fi and everything popular is trash" gets a little tiresome. I see it a *lot* on here.
It's actually doing quite well and the Pinkprint Freestyle was pretty tight, but far be it from me to stop the impending circlejerk in the comment section!
It's a fun game to play with the crazies in the media. Like, I definitely think Piers Morgan is that tedious in real life. Rush Limbaugh too probably.
Oh come off it. Pewdiepie is no more obnoxious than Tom Green or Bam Margera or any of the other losers who made it big in the late 90s-early 00s doldrums. That young white guys have been making money off a certain segment of preteens with immature jokes/general edginess is kind of old news at this point.