Seeing as the Old French accents are all over the place— some sounding Spanish and some sounding French, not that I blame them for trying to capture a dead language— she probably didn't realize he was talkin' all weird.

Agree about Rollo mastering French in one scene transition, although I am onboard with a snappier Vikings if that's what it takes.

Good god, did you just reply to my joke three times with your inane rambling? Are you some kind of propaganda bot?

I'm also quite comfortable saying that the LGBT community is often ahead of the curve on a lot of media and popular culture, and they 'normalize' alternative cultures for the rest of the viewership.

Evan Hoyt Thompson ("creepy mustache" guy minus the mustache) can GET it. Do your thing Jaime! Those puppy dog eyes are life, hope we see him again.

I feel like that's a very surface-level way of looking at it. Fashion-wise, sure, drop S1 Shosh in Harajuku and she'd blend right in. But to actually immerse yourself in a completely different culture is something I'm sure none of the girls would have been able to hack.

Glad to see Sino-Japanese relations are as positive as ever!

I agree that jacking to exes is weird, and there's another reason I want to bring up: those pictures were shared consensually when they were still together, and one would presumably think that, morally, that 'permission' goes away when they break up. I bet at least a few of those girls would find it creepy and not ok…

I've read a lot about Dunham that I find distateful, but I have to be honest and give credit where credit is due: her satire is sharp. And I do believe that the humor in Girls is really supposed to be critical satire, not a celebration of the "right" way to live.

I got the impression that the office Shosh was working at was very modern and hipster. I don't doubt that a lot of the more conventional Japanese customs are kinda relaxed in those settings with lots of young, 'worldly' people.

I think S2 had the general advantage of seeing the Underwoods' rise to power. People wanted it to see how it happened so much that they generally ignored the weak points. Whereas in S3, they have nowhere to go but down, and the urgency kinda got lost.

Wait, Claire is the one who cares only about herself?! All Frank's background means is that he has a chip on his shoulder. But they're both power hungry and use other people as pawns to get what they want. Also, let's not forget Frank is the one literally killing (and threatening to kill) people to get power. How…

Broad City is as much a 'feminist empowerment dream scenario' as It's Always Sunny is a 'male hedonist dream scenario'.

Honestly I found the tug of war to be believable, only because it's the state of politics nowadays to refuse to give the other side a 'win' regardless of ideology.

The 'schools' season is my personal favorite. The whole storyline with Stringer and Avon is amazing and Shakespearean, but you really only appreciate how crushing inner-city life is when you see all the kids growing up in a broken system.

Boardwalk Empire, after Jimmy died. That's when I realized he was the only reason I was hanging on to that wannabe-prestige drama knockoff.

I definitely felt that last episode when she was on top of Lincoln's car.

As a kid growing up in a small tropical country, I was always fascinated by the gritty "city"ness of Hey Arnold that wasn't in any other kids' show. It made me want to have an apartment with a stoop, and to jump on a bus with my friends and get lost in the city.

Jessa's and Adam's "compromise" masturbation sesh was so hilariously in character for both of them. I mean, "technically" they didn't hook up and break the friendship code.

Whoopi Goldberg covered that ground already!