Never paid much attention to Superman to be honest, but I did just watch a Sterling Holloway Columbia short not long ago with her in it (Man or Mouse, 1948).

If I could find Alien Lanes where I was, I probably would've checked out with that as well.

I actually already look at the GBVDB pretty regularly when I stumble on a song I haven't heard before. Incredibly comprehensive.

I pretty much consider myself a beginner when it comes to Guided By Voices. I've heard various songs on YouTube and elsewhere, and earlier this summer, I went to a music store with the intention of getting the Human Amusements at Hourly Rates compilation if I could find it, but I couldn't. Ultimately, I saw Bee…

I'm honestly not much of a hip-hop guy, but I'll see what else is there.

I've only heard "Set Adrift on Memory Bliss," which I like. They took an already good song and, in a sense, made it their own.

I've certainly come around to Jost from his earliest days at the desk. Also, he co-wrote "Farewell, Mr. Bunding" (with Mikey Day).

I knew something was gonna happen once it cut to that close-up of Pete Davidson silently deciding to stand with his classmates. I half-expected a pedophile or some sort of verbal joke in there, too, but I certainly didn't expect… that. Brilliant. Hats off to Colin Jost and Mikey Day for that one.

Pretty strong meat there from *sniff* Saturday Night Live!

This reminds of a story on the Viva La Bam season 1 DVD commentary where Don Vito (R.I.P.) went into a coma due to drinking and overeating, and when he woke up, the first words out of his mouth were, "Where the fuck are my chicken wings?"

If you don't mind, I might like to swipe "Armitage the Performing Seal" as a potential band name in the future.

Coincidentally, I just watched that episode of PBS' In Their Own Words on Jim Henson (which I DVR'd back in September but didn't watch until tonight) right before I checked Newswire.

I felt this was a poor decision.

Their father was a close friend or Mr. Tarkanian.

[SCREECH].

WHAT.

I have been sort of skipping around through JH:TB, mostly because there are whole sections that have captivated me first, but will give it a straight read one day.

This will be Parker’s first time doing voice work for a project he didn’t help create

One of my favorite moments on the whole album is towards the end of that song, when his voice swells up into that extended falsetto wail… and manages to hit and even higher note.

Did he respond to your Doot-doola-doot-doo… with "Massive Death?"