diamandazircon
DiamandaZircon
diamandazircon

Assemble recipe: Take the audience-proven personifications from “Inside Out” and some of the schmaltz of “Miracle on 34th St” (sending letters to said personifications, realllllllly) and mix with any Will Smith “concept” film, that is, the ones not in action mode.

Beautiful choices - also the first time the series ended, the finale was also so well done, the opera and the ending…

Those images are very precise choices - wow that’s bothersome in a way. I was thinking in particular about the top one with Frey’s mother, how the authors were able when they wanted, to decide and let the two-dimensional “sports mom” character just wonderfully reveal another layer of common humanity between a mother

I’ll be more interested in any fix for the extra noise levels of Dyson products, which maybe isn’t noticed in loud, public spaces but certainly obvious at home.

But admittedly he’s in Episode with an implicit understanding of his earlier Joey character having made him famous. That really does make some of the original storyline work.

So in other words, this elections most likely Joe the Plumber …

Well done as to the actual act of making oatmeal, but it misses that extra obsessiveness that allows David Rees to stray from the theme and discover which flame to use, where the oats are grown, the time of day to digest it, and so on….

I do love Colbert in his new version as Late Night Host, and that the surface of his stage persona now has many more emotional layers apparent. While he seems to be honestly enjoying himself with his audience, it’s not hard to see he is working to be in control of his new show’s different segments, and the pacing,

The way you dismissively suggest Top Gear audience was “old white men” (as if its hosts were now “old” and ready for retirement homes) can come off ageist and just uninformed. If you meant because of Clarkson embodying a crotchety figure, wielding a certain lack of UK ambassador-sensibility in the world, that is a

Agreed.

Exactly this.

Mays stodginess was a charming part of his Brit cred (like being shown with a book of Philip Larkin poems during one of their road trips) and real point of view that just made him so much more enjoyable to watch while he endured those road trips and the like. It’s easy to believe him, his love of the cars, the

I don’t have a problem with his use in Episodes as resurgence of his character, but he is the direct opposite of what made Top Gear more than just a lads car show. He lacks the erudite language of a Top Gear presenter, that wonderfully contrasts with the dirty work at hand, whatever they’re doing, crashing or digging

I doubt he would give up his “Hollywood star” position to put up with the things Hammond seemed to in his ensemble role. He’s more like a permanent guest driver who refuses to leave the couch after time’s up.

It represents the issues with visual-virtual translated into experience, because it looks like it’s designed by people who have just watched porn and never experienced the act - so the machine satisfies anything related to visual cues and motions, but no discussion of how the body does more than just move in and out -

I do not believe that Trump’s corporate schemes, the properties and casinos and real estate ventures etc.. have never sought to raise necessary capital from the Gulf States. Or for that matter, work closely or go after and establish ties with simply any rich person of similar ‘entrepreneurial’ nature, which is easily

So… duckface. I’ve become curious now, has someone covered the emergence and total takeover of duckface selfies? (autocorrect wants to make “selfless” out of “selfies” — too funny… )

The “Rabbids” cartoon already took the minions and repackaged them as rabbits. It gets repetitive after a while, even though the mime and slapstick is well done.

Skipper finds out, but yes, that was excellent. Penguins scripts and voice acting set the benchmark for doing these kind of tv cartoons. Now KungFu Panda…there’s boredom.

“If we do this, we’re doing it my way”