The action scenes in his films are far more childish than anything I’ve seen in the last 15 comic book movies of note.

For the reciprocal handies.

Let it die. 10+ seasons of a scripted show doesn’t actually have the best track record.

While still not really “needing to exist” it was all good fun. Things were laser beamed well enough and the characters were adequately engaging for a summer afternoon.

Still would rather be called Sauvage Opress than Porkins.

... and by whimsy you mean I whimsically flushed $8 down the drain watching this thing.

Fuck all. Boba Fett did basically nothing the whole trilogy except die b/c he tripped.

The train heist is easily the best bit in Solo.

... and no one will remember what he does post Tolkien.

True an hour special and then an 18 month wait for another season is very possible.

KIrby and Sienkiewicz also understand common design principles and are capable of making a multitude of visual choices to match a wide variety of narrative needs.  

Surely he has a Twitch channel somewhere.

Can of that expanding foam stuff is 3.99 at Home Depot.

2nd best show on TV easily

... not my angle. I could care less about the sanctity of the property. I think it’s a solid comic who’s reputation is way overblown. Certainly important in any history of comics but isn’t capable of holding all the water people have been pouring in it for 3 decades now.

Your point does get at what I’m asking about…

I think someone said at a meeting ... “We need Games of Thrones for other genres. What IP can we get that gets us a superhero Game of Thrones?”

Is there really an audience for this?

3rd act of 3 Kings falls a little flat. I’d argue “Flirting with Disaster” is his most well rounded film, albeit not all that ambitious.

Springsteen hovers around a B and Billy Joel around a D+

Chuck Klosterman is the king of knowing where a conversation should go and what are the right questions to ask and usually has no fucking clue on how to get the conversation there or how to answer the question.