Sheeeeeeit.

Straight up Zacherley that shit.

I believe it's Don't Trust the bitch in Apartment Twenty-Thritch?

Traci Lords?

Getting Jason Beghe to voice that cameo is a fantastic meta-textual bit: Beghe is not only a Scienteology escapee, but a star of "Californication," a show which clearly inspired some of Bojack's more tragicomic and absurdist ethos.

God, I hope not- I'm not done with my "Ricky Coogan" sitcom pilot script yet!

Now I can't help but read HeroBoy's comment in John DiMaggio's Jake the Dog voice.

Come on… Dan Harmon/Justin Roiland Howard the Duck is all I want for Christmas.

Yeah, that's not a Mulder action figure, it's a Hank Moody action figure hastily rebranded.

Not tonight, Peg.

John Cameron Mitchell, in character as the recently crippled Hedwig Schmitt (whose knees were broken by a masked celebrity rumored to be former Hedwigs Michael C. Hall or Taye Diggs), quipped "Oh, James Franco. You have all the privileges of homosexuality, but none of the responsibilities."

The essential goal is for it to be as jarring and at odds with the mood of the piece as possible, much like the growled backup vocals in the original Nickelback song, while retaining the beat and groove of the song. For instance, if the song in question were "Sister Christian" by Night Rider, you can easily feel the…

Superman may be pushing it, as he's more of a messiah archetype (drawing on both the Jewish warrior-hero and Christian idealist-prince conceptions of messiahdom). If we're talking comic-book golems, it's hard to read Ben Jakob Grimm, aka The Thing, as anything but a man changed into the Jewish golem.

If his career gets an also-ran credit, I suspect Schwimmer believes it will be his contributions to the stage, but more realistically I see his Robert Kardashian being number 2 on his greatest hits. "The guy from Friends who was in the OJ series."

I just did some googling, and found the most recent concept soundtrack I am aware of: Boardwalk Empire, Volumes 1-3 pair up modern singer-songwriters and vocalists with music historians and Dixieland jazz bands to record 1920s standards and forgotten gems in a hybrid of modern indie with 1920s Tin Pan Alley.

Is there a high-water mark for conceptual original soundtracks? I know there are still movies that commission original songs instead of just pulling B-sides (the Twilight franchise was pretty famous for that, if I recall), but the last big concept soundtrack I can think of was "I Am Sam," where all the biggest names…

One of my friends and I have two music-comedy games we play: the first is "Nickelbacking," in which we insert growling, unnecessary backing vocals commenting on the lyrics of the song, a la "Rock Star," to songs that don't need it.

I think that's why VINYL sticks out as such an aberration from the norm- for them to kill a big-budget, big-cast series after one season is decidedly outside of the HBO wheelhouse.

I wouldn't agree in this case, but that was one of the common criticisms of "Dick Tracy."

I can't pull up the trailer at work, but does West sound any more old and frail than his Mayor Adam West on "Family Guy" does? Or is it just jarring to hear West's current voice, no matter how well-known, coming out of the mouth of his old Batman character?