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In the time it too me to read this Tayler Sheridan announced 4 new series.

Lorde, please make more music.  

“but the same people get called misogynists for pointing out that maybe Ghostbusters 2016 wasn’t all that great”

lol, time to start a new account again. Maybe next time you can manage a few weeks before everyone knows what a pantswetter you are.

Ghostbusters 2016"

Sharon Van Etten - Seventeen

The Jesus and Mary Chain ft. Hope Sandoval - Sometimes Always

The National - Mr. November

My favorite was when Low covered Toto’s “Africa” well. before the whole Weezer thing. RIP Mimi Parker, your voice was so haunting in that rendition.

Party Hard - Andrew WK

Evil by Interpol.

Goddamn this makes me happy.

Paramore - Still Into You

I have no suggestions, but this news makes me deliriously happy.

Britt Lower was tremendous on this as “Helly.” She played Adam Scott’s alien-abducted wife on the one-season weirdo show Ghosted which her character was barely in, which to judge by how effective she is here was an awful decision 

!!!!!!!!!!!!!!!!!!!!!!!!!! VERY happy to hear it may be out this year. INCREDIBLE first season! Completely crushed the finale- which has made this interminable wait so damn painful.

From what I’ve been reading, that view is actually backwards — touring musicians are very much aware of rising prices, because the same inflation making tickets more expensive is also making touring more expensive. The price of everything, like crew wages, airfare, hotel rates, and on and on has also shot up for

Irving Azoff is a LOT more than just ‘manager of the Black Keys’ - he was the CEO of Ticketmaster as well as CEO of Live Nation, so he’s probably one of the biggest reasons the concert industry is so fucked up today.

If this happened in 2012 I’d be a bit surprised, but now we’re in the era (ha ha) of Swift and other actually massive pop stars it does seem like either extreme optimism or hubris that the Black Keys/their managers thought “Yes, we are clearly at the level of Foo Fighters or Metallica, so of course we can play an

I hope that this means that we, as a society, are starting to abandon arena concerts because, honestly, it’s the worst way to experience music. I’m GenX and it feels like that is when arenas really blew up. I went from watching bands scream at me, a few feet from my face, to hearing that they were playing as tiny