Honestly, none of that is particularly surprising to me, especially the part about not understanding the characters or their motivations.

You missed the fairly obvious point of what the author is saying but Musk is clearly full of shit and there is enough supporting evidence to prove it. Linguistic contortions are a last resort when you run out of legitimate arguments.

You must be obsessed with our President to bring him up from this article. Trump 2020!

To be fair, unlike Trump, Musk works insane hours and I’d probably act like a crazy asshole too if I were him. I like to cut the guy a bit of slack. He’s an uncharismatic engineering nerd trying to be the face of a multibillion dollar company. It’s bound to be a messy road. 

Speaking as someone who did have a childhood in SA in the 60s and 70s, Musk is full of shit. “Pedo” wasn’t an insult word in SA or the UK (where I also lived) or as far as I know, anywhere, until long after I’d reached adulthood (80s). I can’t really remember when I even became aware of the word in common use in the…

As a young person did you ever refer to a creepy adult man as a “pedo”? If so, what were you inferring? I get that different places use the same word to have different meanings, but Musk’s own definition spells it out.

You can actually tell the difference: one is self-made billionaire working his as off to keep the world inhabitable and our air breathable, the other inherited his wealth and denies the inconvenient scientific consensus and is rolling back laws that are restricting pollution.

Fake hair, thin-skinned, twitter addicted, lies about the successes of his companies, and accuses the media exposing those lies of ‘fake news.’ And now he’s arguing over what words mean, after previously being unambiguous about the term in question.

This review tells me someone’s opinion of the film, and thus ruins and spoils the movie for me. For shame, i09.

The MCU has been fandom’s ultimate leap of faith. It is an enormous trust exercise...one that has chased the face of fandom and the film industry for all time.

The film takes great care to be the narrative’s zenith as well as reward to fans who have spent the last 11 years watching Marvel movies by packing in countless nods and payoffs—narratively, visually, as well as sonically—to those previous 21 films.

“Pan’s Labyrinth” was basically “Jacob’s Ladder,” but in the mind of a little girl’s dying fantasy instead of a Vietnam vet’s PTSD-induced horror.

The movie was amazing and so beautiful, but it was such a brutal emotional gut punch that I haven’t been able to rewatch it.