"Boy, living in Toronto is expensive!"
"Yes, and that's not even counting the cost in HUMAN terms."

Actually, Siskel and Ebert hosted a special compilation episode of short films.
Close enough?

so Goering= Limbaugh?

He is one seductive little devil: https://www.youtube.com/wat…

Panama, perhaps.

Heck, by showing a clip of Siddig next to Andrew Robinson's Garak, I now want Cardassian Bond.

I've always thought the key to the success of the best Bond parodies was that they realized the dirty little secret of spoofing Bond was that the audience kind of wanted you to turn into a real Bond film (which were pretty ironic and tongue-in-cheek to begin with). So you just kept a little bit of the action and…

Of COURSE he does. (and not just the best, but the MOST).
The man loved his work.

Legend has it Stalin had a "body double" to fool assassins… and that he couldn't resist using him to play pranks.

Actually, Bond and his rivals have been jockeying for position since the beginning; look how much Bond borrowed from THE AVENGERS (and vice-versa). Heck, the Harry Palmer films were literally Bond co-producer Harry Saltzman trying to prove he could do it better without his partner Cubby.(Some think he…

ALWAYS BE CRIMEFIGHTING

Wait a minute: Neil Labute took a cult classic and turned it into a notorious bomb. Is it possible that he can take a notorious bomb and turn it into a cult classic?
well, obviously, no… but if he somehow DOES, certain theories about the karmic balance of the universe will have been proven valid.

Maybe they could have John Hanna pop by and just swear at everybody for a half hour.

Well, I think was mostly that Liam Neeson wouldn't come back for the cameo that would explain it properly.

Ash travels back to the middle ages, but it's TOTALLY not the same as ARMY OF DARKNESS, because everyone has French accents.

Or they travel to a town where every single person is played by Ted in various questionable make-up jobs.

Which reminds me of Ford's comment about stuntwork: make sure they do it all during the MIDDLE of shooting, because they need you alive to finish the movie, and they're too cheap to start from scratch.

I'm certainly not PRAISING the fact that the big money stuff gets the big push; simply stating it as a fact of life.
I mentioned Jason getting preferential treatment; now, i can't imagine any knowledgable horror buff picking the FRIDAY THE 13th films over the other options of the time- but F13 got the big studio…

For all of the speculation about Ford and Spielberg, I can't help but think that it all really boils down to Disney thinking "hey, we have a really valuble property here that we should probably do something with… but we don't know how to squeeze it in with all these OTHER valuble properties we already have going full…

I'm thinking that Spielberg might be able to talk him into a graceful hand-off, with one of those " appear at the start and then we reveal New Indy in a flashback" things. But only if they do it together. (If Disney just asked him, he'd view it as being forced out, whereas if he AND Spielberg leave the franchise…