See, but you’re thinking logically. Harry fans hate her because they think she’s manipulating him, and that he was forced into a relationship with her because she’s forcing him to keep his love for Louis Tomlinson private.

For the record, those rumors of strife are, if not made up entirely by Styles stans, absolutely exacerbated by them. They have an enormous grudge against Olivia Wilde, and they’ve dragged Florence into it too. I can’t blame her for being sick fo it.

Yeah, I think this dry spell is a quirk of release dates rather than any sort of new normal.

Ironically, “Janet(s)“ provided the best example of her range to date - it’s basically a one-episode resume.

1. This sounds super interesting, and Brian Tyree Henry is awesome.

Honestly it’s kind of a surprise that they went for the heartwarming reconciliation vibe considering the fact that they’re basically in an elevation-inverted The Descent. The ticking clock could then be “how long til one pushes the other”

Couldn’t he get someone else to hold the camera?

See, I actually love a good celestial bureaucracy - it’s actually one of my favorite tropes. But the key is that, by taking something fantastical and grounding it in reality, it has to say something about both that fantasy and the reality it’s grounded in. This doesn’t seem to do either.

Also, on a related note, I hate the fact that every animated movie looks like this now.

Truthfully, this whole thing stinks of unhinged Harry stans making a tempest in a teapot. They’ve had it out for Olivia ever since this started happening, and while it may well be true I have no idea why we should take their word for it. Besides, if Olivia (who has directed one movie) was really that out of her depth,…

The telltale sign of a bad Pixar ripoff is that they always use their “high concepts” not to explore various intriguing ideas but just to go “hey what if this intangible thing had its own bureaucracy”

Some of the best original programming of any streamer, and it’s going out the window for more Property Brothers. Fuck this.

It felt like a pretty honest ending for the character, I think. Armond was bitter, self-destructive, and a little bit of him died every day on the job. It was inevitable that it came to a head somehow.

If anything I thought he was too gentle. Gen Z is full of people just like the characters in this movie: self-obsessed bullies co-opting the language and buzzwords of social justice movements in order to wage merry war against whoever happens to piss them off. Yes, not all of them are like that, and yes, other…

That feels like the case with a lot of these post-Get Out horror movies. What makes Get Out work is that Jordan Peele is a genuine film geek who sincerely loves the genre elements in his work. Whereas movies like this (and Master, and Umma, and Hypochondriac, and etc.) just have the horror elements feel like an…

There’s so much in the world that’s impermanent, and I like a bit of consistency.

“A game MwFuller can’t save a tepid AV Club comment section”

A strange and interesting movie! Hall is superlative, of course, although Roth was a little too de rigeur nice-soothing-voice-gaslighter for my taste. There were parts of it that made me curious to see a movie about a deeply fucked-up BDSM relationship. It has a vaguely anonymous sheen to it, which makes the Thing…

There’s a certain kind of Marvel fan who genuinely, proudly serves the brand and who wouldn’t be turned off by that sort of corporate talk - quite the opposite.

So either Harry Styles is playing a Brit, or he had one hell of an accent slip.