Confusing headline... thought that Danielle Fishel had come out at some point, too.
Confusing headline... thought that Danielle Fishel had come out at some point, too.
I’m sorry, but how can this be considered a review? This read more like a recap and I don’t see any reasoning for the rating you’ve given for the episode.
Honestly I don’t have an issue with Wilde hooking up with her lead, because as you note, that’s been going on for as long as there have been directors and actors. But don’t try to have it both ways, and say you’re all about a safe environment on set an all that. She’s trying to have her cake and eat it too, by…
And in the early going, they IMPROVED the books.
Benioff and Weiss were masterful adapters. They literally adapted the unadaptable. And were praised to no end for it.
Good lord Mr. Fantastic, THAT was a stretch! Even Stenberg does not go there. You have two women, one who is trying to claim social bullying (in a DM no less) and one who is claiming to be the victim of body shaming, when the comment was directed at the studio (A24) and their body of work in general.
On the last part, it wasn’t even a public leak in that sense. Someone put it on as an Instagram story that had 90-something followers, at least if I understood correctly, where it was picked up later.
I’m not sure I follow the claim that Boomers somehow find political comfort in the works of the Farrelly Brothers.
This is definitely timely, but I wonder if it wouldn’t have been more useful a few years ago.
If they’re trying to reach the anti-choice and on-the-fence people, who (and this is me spouting shit with no evidence) skew whiter and middler-class, then giving them someone to identify with to guide them to sensibleness seems a canny choice. Anything that gets the kids to eat their vegetables is OK by me.
Congrats to Jez for playing their part in the bullying!
One way or another, I think the numbers for the second episode are going to be very different than the numbers for the first, depending on what the reviews by viewers are like.
Amen. Seasons 1 and 2 kept the spaceflight narrative compelling with plausible technical details while tying in the human drama. In Season 3, the writers found a whole bunch of stupid once they landed on Mars.
As always, well done. One of the things that will continue to confound me about this season and finale is that, when it came down to it nothing that Jimmy did was necessary. That band of idiots could have driven their explosive-laden van up to NASA at any time, so why go through the whole rigmarole with Jimmy,…
Gave up on the plausibility on this show when way back on Apollo 24 Deke Slayton tossed away their LM along with the SPS, complete with its own engine and fuel, causing a new crisis in having to get reeled in by that first hail mary pass involving a bottle of gas over the moon. Still scream at the TV once in a while…
Thanks for that YouTube line, man!
Very cogent comments, CogentComment!
Reminds me a little of someone I know who is not long for this world, sadly. Talented, funny, and has such a bright light you can’t help but be drawn to, but so very troubled due to compounding trauma, brought on by some of the individuals in their life. It’s sad and unfair, and brings on a pervading sense of…
“Oh my God, you killed Karen”, and the Stevens boys still walk their respective planets. As ever, CogentComment, Alex and others have covered most of my reactions. I see some of you didn’t care whether Karen lived or died, but hers was one of the stories I wanted to see next season. I was looking forward to her being…