Well now I'm picturing an entire planet in the Firefly universe where the residents all have thick Boston accents and backwards baseball caps, so thanks for that. "Dose browncoats ah wicked retahded! Go Pats!"

I'm not sure it's her fault. Everyone else is these quirky characters who get these kinda crazy lines to say (or Bruce Campbell to react to. She's just got nothing. Hopefully teaming up with Lucy Lawless will give her something to play off of other than other thinly conceived police officers.

What 5 fingers say to face?

I was a bit befuddled by the idea of "we'll just take this hyper-intelligent, violent, amoral ape with mind control powers and dump him in a jungle with other intelligent apes - don't see how that could possibly go wrong".

Well he willed it to Barry. There's also a super-powerful AI just sitting around in the place that they've never addressed again somehow - maybe that's running it.

Well sure, it made sense for a week or two, but there's no indication she's actually looking for another place.

Cocksuckah!

He is now. He was an interesting and compelling character that was somewhat based on the comic character. If movies set out to just make a carbon copy of the comic book characters they are pretty much doomed to failure right out of the date - they have to tell their own stories.

If by "perfectly" you mean "awkwardly" by making her a semi-permanent roommate for what is really no good reason.

Well yes, if he was being a dick about it, I could see people being annoyed, but not "I must murder him or my career is ruined."

I'm glad that wasn't just me. It would have been pretty trivial to find something actually worthwhile for him to blackmail Smoke and Meers over - maybe they'd accidentally killed an assistant in a dangerous trick, maybe they'd ripped off their whole act from some other pair of magicians and gotten them tarred as the…

I just immediately thought "oh it's crappy Penn and Teller, oh and Teller is a woman"

While I liked this episode overall, it had a couple of the worst moments in the series for me:

Yeah, I always view the shaky cam demon not really "looking" like anything - you can just feel an overwhelming presence of evil coming for you.

Yeah, while I agree it was not as good as the first two, c+ seems pretty harsh. I really liked the Lucy Lawless opening sequence and didn't find it rushed at all. I thought the demon was fine - yeah "faceless with just a mouth" isn't the most original demon design, but I loved the way it moved and felt "out of sync"…

Ash out in "normal society" (e.g. the dinner) is how I picture a D&D character. Kicking down the door covered in blood, sitting down to eat while fully armed and armored, directly accusing the people feeding him of being monsters, blithely ignoring people who don't seem important, etc. Awesome.

Oh look, the fact that we've weirdly never actually seen Major kill one of these zombies - just dope them and shoot bodybags we can't see - turns out to mean he's not killing them at all. What a shock. I'm glad they didn't drag that out any longer because it was getting screamingly obvious he wasn't killing them.

I actively like that they use the trappings of the government and it's color palette. I think it's a choice, not an example of lack of creativity. The fact that Sava feels obligated to point it out in every. single. review. makes me feel like he's not a particularly good choice to review this series as he is comparing…

I'll have your commercials dear! I love 'em! I'm having commercials, commercials, commercials, commercials, commercials, commercials, commercials, commercials, commercials, commercials, commercials, baked beans, commercials, commercials, commercials, and commercials.

I'm with you. Maybe it's because you have to be on drugs to understand it?