chimpjnr
ChimpJnr
chimpjnr

I really hope this succeeds. Hopefully it will then lead to Starz considering adapting The Sandman as a cable series, which is really the only medium that would do it justice.

Does the show have an arc? I've never watched it, but would like to, provided that I'm not required to spend ten seasons getting up to speed.

This is the best article that I have read about him, and from a website that has been overwhelmingly anti-Trump to date. Given that McMaster doesn't suffer fools though, I'm not sure how long he'll be in the role.

I'm certainly no fan of Trump, but I think that everyone should lay off criticizing McMaster. His appointment is the first positive thing that the Administration has done to date, and might be the only thing for a while longer. We should appreciate the small mercies for what they are.

I've got a bad feeling about this.

It should come naturally. He is from Queens too, after all.

I wonder who is going to play Paul Ryan on SNL a year from now when he's sitting in the Oval Office?

I just started watching Bosch. I'm really enjoying it thus far. I'm surprised it hasn't gotten more attention on here, or anywhere else for that matter.

To echo a lot of the comments below, Constantine was a highly enjoyable film when taken on its own terms.

That's a shame. Because nothing says "Happy Valentine's Day" like a sugar-free enema.

The reaction of the audience to the pencil scene was one of the best experiences that I've had at the movies in a long time.

Seconded. I've been on a serious MCR reevaluation recently. The Black Parade is a classic.

Right, but they're not up there. Granted, I've been a follower of 21P since the early days, but it's too easy and snide to say that those that didn't make it are somehow better for not doing so.

Have you ever seen then live? We're clearly unlikely to agree on this one, but I would argue that they are two of the more engaging young performers out there today, writing and producing their own music, in a fashion that at least attempts to bridge different genres and demographics.

I'm 42, just for the record. Been following them since 2012.

There are many acts that warrant the "no talent shite" and they are not with them. I'm not suggesting that they are genre busting, but they do what they do, on multiple levels, very effectively. They're seemingly likable guys, who present an image to the crowds which people like. And they write catchy songs. In fact,

Please expand.

I was judging them on their overall output and attitude, more so than a specific song (truthfully it's not my favorite song by them either). As an entity though, they just holistically project authenticity, which marries well with their perceived sweetness.

Would like to have seen Twenty One Pilots win, but also understand why they didn't. The fact that made it here though, is more than half the journey. I saw them play bottom of the billing festivals 4 years ago with all the focus that they have right now. They deserve to be big. And they both are, and will continue to

That was a really ugly sweater that Pete Davidson was wearing.