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"The Entire History of You" is my favorite episode, though also the most disturbing on a personal level as I know, without a doubt, that I would succumb to the worst excesses of the technology it portrays.

We see a photograph that Ford says is Arnold. We only have his word for it.
That said, your point about all the theories is a fair one.

I said the same about his wanting to recreate his son earlier (not that I'm implying it's an original thought of mine ). However, there was something about rewatching the exchange between him and Ford tonight that seemed to imply he might actaually be Arnold in some capacity (though the devil is in those last three…

Well, he doesn't communicate with the son. And the ex-wife is just a projection on a screen. They are both just back-stories, given to him by Ford. Not necessarily inaccurate back-stories, just grounded in truth (like all the best lies).

Bernard or Stubbs (the security guy), I would think. Projecting forwards though, I'm not sure where the show can go if they are all robots, unless they introduce something completely new at the end of the season. I'm fairly certain that this season will end with Ford being murdered by one his own, probably either…

Bernard is Arnold, right? When Ford is talking about his tragedy earlier in his life, his need to discover sentient behavior, his belief that the robots are real, followed by his asking that Bernard remember that they're not real…it all has to mean that Bernard is the next-generation model of Arnold. It explains his…

So, at the risk of possibly repeating that which has been written below, here are a few thoughts upon second view:
The robot being administered to by the young Ford - isn't that Logan? 30 years ago?
The blonde with the parasol walking around the town - isn't that the host who equipped William last episode (Elon Musk's…

I liked that the black hat (Teddy) faced off against the white hat (wanna-be Giovanni Ribisi rapist). Knocks my theory into a hat (sic) that the color of the headwear that the guests choose when leaving the entry-train dictates their inherent personality.

"Westworld" is, so far, the only show (right now) that I re-watch every week to catch up on the stuff that I missed. That, for me, is the hallmark of a good show. Or at least the hallmark of a good mythology show. There are so many little details that skip you by on the first viewing. For example, the twitching in…

Is Stubbs real or a host? I thought there was some comment made when they were riding the elevator up that implied that maybe he is a synthetic too.

How many of the people working behind the scenes are also synthetic? If he had the power to create an unpaid labor-force, why wouldn't Ford do just that? We already know that some of the hosts work there (Elon Musk's ex-wife from last week's episode, for example). I saw someone suggest that maybe even Bernard is a…

The part where he started slicing the hosts face up was pretty nasty. I have a feeling that there's going to come a point where not every host reacts quite as passively.

So, now that he suspects that the possibility of them being sentient is real, how long will it be before Bernard makes a synthetic version of his dead son?

All while paying $40,000 a day for the experience of not doing so.

Funny you should say that - Rock Star heavily hinted at a new Red Dead game today.

I find it curious that Jermaine Clement's character is presumably around 56 years old, despite his being 42 in reality. According to his college website bio on the show, he finished his Ph.D. in 1981 which has to make him around 56, right? They couldn't have found someone closer to that age?

The first few episodes were very slow paced, so I can understand why a lot of viewers may have dropped out. The sense of the dread on the show is terrific though, and it really came into its own in the last few episodes, especially the last two. There's something about Fugit in particular that I find both unsettling…

I would love to have seen what Cinemax could do with "The Walking Dead". That said, having watched "Outcast", pacing issues seem to be an issue not exclusively owned by non-premium owned Kirkman properties. I'll come back for season 2, but it's more down to the excellent cast, especially Patrick Fugit and Phil…

I can only imagine Andrew Lincoln's contract negotiating power at this point. Egg done well!