It’s made by the same person and is mentioned in the story:

Or you could just read the review.

And he’d be correct. 

Right, almost as bad as verbally attacking someone for choosing to do something the see fit for themselves. He doesn’t want to sign up for an account to play a demo. Are you going to be ok? 

Actually, if you weren’t raised in the East, the “tapping to the rhythm” part IS actually part of the bigger challenge with these games. The patterns are not actually modeled after the beats and music, but the actual vocal phrasing of the singers, making the rhythm much more challenging for the casual player. Asian…

I play the for the gameplay, have zero concern about the characters.

GrooveCoaster also doesn’t have you sitting in an actual rollercoaster while you play. Call the cops. 

It’s a rhythm game, who cares what method you use? Fun is fun. 

You seem like a fun person. 

Pretty sure your dad paying for your first BJ isn’t a normal thing. 

Please don’t suck, please don’t suck....

How is he impressed by powerful people? He’s trying to stick around to help people like us by taking the short end of a very fucked up stick. If he gets fired, we have nothing. 

A guy with extensive simulation experience and the cofounder of Microprose. You’ll be ok. 

By flop you mean, it’ll still sell millions and do just fine regardless, then yes. Morons will buy into the hype and commercial ad crush and the company will learn zilch. As always. 

Ok. 

You realize the game originated on a Nintendo platform right? And all of it’s sequels for the second era and nearly every major Square Enix RPG was on the Playstation and PS2...Buying an XB1 and expecting rpgs after the X360 was clearly not the system of choice for rpgs/jrpgs is foolish. All of that stopped after the…

XBox One caters to the shooty bois and the sports kids, the market for a JRPG remake there is probably not a giant audience.

It’s almost like two completely unrelated things. 

No, but the filler and padding is filler and padding.

Because there are none.