Could God develop a recipe so disgusting even He could not stomach it?

It's a leap of faith thing, you just gotta try it.

Nope. Persuasion.

One of my family's side dishes growing up was canned pears topped with mayonnaise and cheddar cheese. (I know, it's very 50s.)

And I used to think cheese and pickle sandwiches were strange.

God made a mistake.

Ditto. My interest is piqued.

Why the underscore? It looks strange.

You're both monsters.

I love it but there are some niggling dubbing issues.

Generally agree about Trial and Fake. They're my favorites after Kane.

Yeah, that was an ugly breakup.

The statement—a veritable Kristallnacht of pointing out a logical fallacy—is available to read in full on the center’s Facebook page, along with various comments saying that, by telling Tim Allen that he’s being “deeply offensive” by comparing mild criticism to mass genocide, the Anne Frank Center is “proving his…

Okay, maybe an eentsy bit of a bully. He strikes me as more as an overindulged, overgrown child than a person who enjoyed hurting other people, though.

Eh. Welles notoriously had a way of dominating any set he was ever on (which is why people are forever claiming he directed scenes in films he acted in but did not direct, based on very little evidence), and he was certainly deeply emotionally invested in his work (which led to a few feuds with former collaborators),…

Welles just does not work for me in Shanghai, because it's the antithesis of the kind of character he excelled at (larger than life, arrogant, doomed to fail because of his own flaws).

I think there's a little bit of contrarianism about Kane, since it's been touted as The Greatest Movie Ever Made for decades.

F for Fake is a masterpiece. Not just for the sleight of hand (which is a lot of fun), but for the editing.

Didja know Welles wanted to cast Agnes Moorehead as the Nazi Hunter in The Stranger? Nothing against Edward G. Robinson, but what a missed opportunity that was. She'd have been marvelous in that role.

Great piece, IV.