THE #TEAMMICHAEL TRAIN HAS NO BRAKES AND I'VE GOT A FIRST CLASS TICKET.

Jeffrey Dean Morgan is such a delightful, charismatic screen presence! I can't wait to see how Julianna Marguiles is gonna force him off the show.

Joe Gilgun as Cassidy is probably one of the best casting choices I've ever seen for any comic book property.

Next week's episode is called "LCD Soundsystem" which makes me unreasonably excited.

I would be super down if this season becomes "Gaga's classic movie vampire" versus "Angela Bassett blaxploitation vampire hunter"

Her meltdown was way too fucking real.

Please oh please Marvel let me write an Amadeus Cho movie. It would be funny and weird and science-y and full of adventure.

Rob Thomas is a whore.

I… I actually dug this episode. After the premiere which was ridiculously undisciplined, there was actually something resembling a narrative throughline and some dope horror stuff in this episode. And I'm a sucker for vampire shit, which this episode had in spades.

"Bitch eats floor candy, and she ain't seen a foreign film in over a decade."

If Jane and Michael isn't the endgame then love will be dead to me.

My interest in this show depends entirely on how much I can pretend that it is a sequel to Submarine. (That said, I will probably watch it anyway)

I think I'd be dumb enough to read Jimmy's adaptation of The Slap. I want to see how he covers the ending where the judge basically says to everyone involved, "You're all fucking idiots and this was a gross misuse of the judicial system."

This series is slowly getting closer and closer to Bitch 23 levels of surrealism. I hope one day Nahnatchka Khan delivers on her idea to have James Vanderbeek show up as a pre-Dawson's Creek version of himself.

The first process in the application is spending 25 years in the Red Room.

The newscaster at the end could've really cut down on her description of Alex by saying, "Keep a lookout for literally the most beautiful woman on the planet."

I WILL ALSO STAKE MY CONTROVERSIAL CLAIM ON LOVING THE SONG IN CONJUNCTION WITH THE SEQUENCE.

I dunno, but hypothetically it would be perfectly valid for a reviewer to look at a show through the lens of race and feminism if that's the perspective they're most interested in, given that it's a reviewer's actual job to present their own personal, and subjective critical thoughts on a work. And it would be kind of…

I'm gonna stake my claim on the new opening credits sequence being super terrific. No idea why people are so down on it.

It was a true douche-nasium.