“the writers of Wakanda Forever went back to the drawing board to create an entirely different background for Namor, rooted in the culture and mythology of ancient Mesoamerica, including the Mayan and Aztec civilizations.”

So, someone gets mistreated and you just let her go and move on with the mistreat-er? How dat work

Sure he hated you less, Rob.

I agree. Spoilers....

What surprised me is that, unlike the previous two flicks, virtually none of the victims were innocent. Pretty much every single one of them was an asshole who has it coming.

Rob Zombies Halloween is just one of the many examples of Rob Zombie being like “I love this, let me not get why this was good or fun and make a movie”.  Giving Michael Myers an origin is a terrible idea.  Of course Rob Zombies Halloween 2 is a pretty fun watch

Halloween 2018 is about the only one(but they fucked up the next two so people forget that first one was really good). Does Prey count?

“The highly stylized “Savage She-Hulk” opening is a lot of fun (love that they made Mark Ruffalo stand silently in ’70s gear for that).”

Jennifer said in the first episode that it wouldn’t be a typical Marvel show. She outright edited her own show to prevent it from turning into the usual bloated ending mess. Honestly it’s great that she was able to use the fourth wall to retcon a season-wide plot.

I enjoyed it a lot. I think a lot of people are waaaay overthinking this show which is for the most part a breezy comedy with feminist theory snuck in here and there. I enjoyed her absolutely obliterating the fourth wall more completely than anyone since Mel Brooks’s Blazing Saddles. This was super fun. This is not…

I liked it a whole lot less than I expected to given the subject matter (caper flicks are my jam), but the Bale / Lawrence relationship made no sense (how old was she when she had their kid, anyway??) and him willingly handing her off to a mobster made even less. The movie would have been better cutting her entirely.

That movie lost me the minute it thought it could pass a 22-year-old Jennifer Lawrence as a long-suffering housewife. It felt like when you see a high school production of Guys & Dolls.

I got so bored halfway through American Hustle that I had to walk into the cinema lobby and play with my phone for a few minutes just to make sure that my brain hadn’t actually crashed.

Most years, Oscar bait is what it is, but for some reason, American Hustle getting nominations really drove me crazy. That movie suuuuuucked

Oh Departed.....massive cast and I still can’t believe the effort of Wahlberg. Highly agree, easily one of his best efforts then and now. Dignam was amazing when he was turning the screws on DiCaprio on the intial interview.

Indeed, Wolf was such the superior product. Indeed, I even think it was some of Scorsese’s better stuff in a long while and it really demonstrated how well Scorsese understands editing and story in comparison to Hustle.

Even the Amy-Adams-looking-hot parts?!?

Same....it smacked of a certain ‘I am up my own ass’ storyline that had some sloppiness. It also seemed to be aimed at critics with some scenery chewing scenes that didn’t need to be included in the story.

Well, Amsterdam’s advertising campaign certainly hasn’t done it any favors. All of the commercials I see are basically lightning fast cuts as they flash a zillion actors’ names across the screen. You walk away with no idea what the film is about. The trailer isn’t much better. I actually heard the trailer before I saw…

I really don’t know that I agree with that. Temuera Morrison had basically nothing to work with in Boba Fett; it’s tough for an actor to believably sell a character whose actions are completely nonsensical. I understand why Andor is looking for his sister, wants to live, needs money, and doesn’t really like the…