Maybe it’s like a slow test roll out of non-binary M&M’s.

So why’s she only speaking up NOW?!

BREAKING: Green has revealed how back in 1997 she was forced into accepting the knee-high boots and eye-candy persona by the director of her first ad, Joss Whedon.

This may be callous, but I can’t help but think about how he died less than a year after his platonic life partner, Steinman.

There’s a weird Tom Cruise energy about him. Specifically ‘Collateral’ Tom or Litigious Couch Jumping Scientologist Tom

Vigilante vs. the Nazis was the most cathartic five minutes of television I’ve seen in over a year.

Count me in!

Yeah. I also assume he could just infect Peacemaker, Vigilante and whoever else if he wanted.

He knows he could kill every last one of them and they don’t.

God I love this show. It’s just a friggin’ party.

This episode is more like it, we seem to have left the have-it-both-ways misogyny-parody of misogyny behind.

I have a feeling that, whatever’s going on with the Butterflies here, it’s not as simple as an “Invasion of the Body Snatchers” type plot. Between Judomaster leaving Economos alive despite having every single opportunity to kill him and Murn leading the efforts to seemingly hunt down his own kind so sincerely (and…

Vigilante is such a blast to watch, although now I’m shocked that there would be someone claiming he isn’t an absolute psychopath. The actor, though, does such a great job with him as there is that inept air to him which is this great mask of what an absolute terror the dude truly is.

Aha so my “Dancing like a Puppet in the intro= Butterfly” theory has at least been proven 50% right so far. Also it might explain his whole “I have never shared feelings before” conversation in the third episode.

Doesn't Jamie Lynn have the right to control her own narrative as well? Why doesn't she have the right to tell her own story, which by its very nature will of course mention her sister? As long as no lies are told she has every right to.

I find it amusing, but it’s not laugh-out-loud hilarious. I think I just connect with Bean because I come from a dysfunctional broken family and relate to some of the problems she goes through.

It got better, but no, not as funny as Futurama or classic Simpsons. In part it’s because I think they actually want to make serious points — that Bean’s nihilism and alcohol abuse aren’t solving anything, that Elfo’s obsession with her is toxic, etc. I just don’t think they are doing it particularly well.

It’s a good show, and the third season (second season part 1?) had some good moments. But there aren’t the big laugh moments Futurama seemed to land consistently. And the pacing feels like they’re leaving a *bit* too much room for the joke to sink in. “You get it? Did you catch that? The joke we made?” It’s an…

Holy crap the seasons of this are so far apart

I’m always fascinated by the shared history part of relationships. I know a number of high school friends, including former boyfriend/girlfriend pairings, who ended up reconnecting and marrying years down the road. The easy shorthand of communicating with someone you know that well, and having spent so much time with…