Keaton explained that misunderstanding between the two men

I honestly can’t think of a depiction of Bruce Wayne where the public doesn’t see him as eccentric.

I don’t agree. Both of Burton’s films have great scenes of Keaton as Wayne, such as Keaton being eccentric and charming at the party in the beginning of Batman and Keaton and Pheiffer figuring out each other’s identities in Returns.

‘I don’t understand why everything has to be so dark and everything so sad,’

It’s ironic Keaton’s focus was on Bruce Wayne when the Burton films make very clear it has zero interest in Bruce Wayne as a person (especially so in “Returns”; ‘89 at least has the excuse of being somewhat of an outside POV when Batman is still more myth than anything). It’s a testament to Keaton’s incredible…

And Birdman.  Don’t forget Birdman.  That one got him an Oscar Nomination.  His only one, but well deserved.

“It was a mistake in judgment; just admit it.”

You can do anything, satire, farce, etc., if you do it well. Nobody wants to see a full length Rogers: The Musical, but I loved seeing the whole “I Can Do This All Day” number because they did put so much work into every silly detail. It was great to see it for what it was.

You may be a perfectly nice and normal guy, but your comment has a lot of this energy.

What I found interesting was that even though it was intentionally bad, there’s a line at the end: “If the city is trashed when you take your bow, we’ll blame you then but you’re good for now...”

there’s still no justification for including it as a post-credit scene.

I think part of the point of a post-credits scene is to have a “did they really do that?” moment. This one was a bit more meta than most... but I was highly entertained.

Also one of the best post-credits scenes before this was the “why are you still watching this?” thing with Cap. It was pure, glorious trolling.

It’s also worth mentioning Disney/Marvel hired a bunch of Broadway actors for this, and filmed in a Broadway theatre, when Broadway was still dark and those actors were struggling.  So I give them credit for that.

I don't know what a ZSJL one would look like, but I do know that some kid and his family would leave midway through only for the parents to be gunned down outside the venue...

Making something that looks like a genuine attempt to be good but is actually bad sounds pretty hard, though.

Still waiting on Thanos’ big number, everyone knows Disney villains always get the best songs.

It was bad - and also pretty funny. Also, considering that our real world got a Spider-Man musical, it’s not surprising that the Avengers would get one in the MCU. As I’ve seen pointed out, a Paul Rudd audience cameo would have made it perfect “I wasn’t even there!”.

These comments youre all making are hilarious. It shows that youre all exactly the people they are talking about. It's funny how they hit it on the mark so well and it's become a moment to remember in the MCU now.

As many have pointed out, it takes just about as much work to make a bad movie as it does to make a good one. Same goes for a Broadway musical, but I loved “I Can Do This All Day”. It’s not that I want to see a musical version of Avengers, but the number was a clever little satire all its own on how “real-life” events…

It was cringe-worthy. I loved it!