Well, except the only major female character is pretty much exclusively defined in the film through her relationships with the major male characters, with her role in the story ultimately confined to being a victim of one man who must be saved entirely through the actions of another man.

So . . . I simply did not like The Power of the Dog. I recognize it is clever, and that it says something important to say. And I recognize the actors did what they could with the parts they were given.

Not a single decent period drama on TV back then!

So this interview did open my eyes a bit to what they are trying to do with her character, and I appreciate that.

It sounds like Russell is going to let them off the hook, it just came too late for Patrick.

I don’t think Peggy’s desire is to leave “black New York” behind and “be a part of white New York” in the same sense Bertha very much did want to leave her old social circle behind and to join a new social circle. And I definitely do not think Peggy is seeking just to be a secretary to a prominent white family. For…

It appears this poster wants support for his desire to criticize this show without first having given it a try with an open mind.

When I am potentially interested in content and it gets mixed reviews, I usually try it out with the intent of forming my own opinion about whether it is worth continuing to watch.

So Queens in general at the time Lum was growing up was around 20% African American. But Lum specifically was reportedly born in Stony Brook, about halfway up Long Island from Queens, and then raised in Forest Hills, Queens. Stony Brook is apparently about 1.7% African American, and Forest Hills is about 2.5% African…

Or the Cardiff of Torchwood.

One does not vary from the order laid down by Queen Victoria.

Yeah, natural languages are living things and really cannot be controlled in the ways some people want to control them. Meanwhile, “whiteness” is a deeply problematic concept to begin with, so typically there is no great loss in recognizing when something like a way of speaking is not specifically “white” but rather…

So I am just repeating other posts, but in quick summary form:

So as I have suggested in a couple other posts as well, I would resist the notion that “white” Americans “own” every other way of speaking American English besides AAVE.

So there really isn’t a need for a “default rule” at all. Immigrants may (or may not) need to make a conscious effort to learn or improve their English. But their children and grandchildren and so forth born in the United States will typically automatically learn to speak American English from birth in the normal way…

This show was instrumental to me learning to appreciate Norwegian humor, and in fact to appreciating specific Norwegian actors I have since seen in other things, so I will always be grateful.  And it is definitely a fun series in itself.

Given the reported dynamic (a lot more people starting it than finishing it), it appears Cowboy Bebop was not in fact entertaining to enough people to merit the cost of continuing to produce it. Personally, I slogged through it to the end, but I had to just start skipping all the Vicious parts to do even that much.…

So part of what I was suggesting is we should definitely give kids a lot of latitude when imitating other people in their youth, but be much more cautious about paid entertainers doing the same.

So this isn’t a court of law and in this sort of context I do not think we need to leap into formalized roles like the accused, the prosecution, and so on. Indeed, I think the ideal first step is for the paid entertainer herself to be a willing participant in the process of identifying when she is starting to get too…

My two cents is it is natural for kids specifically to play around with imitating the entertainers who make their favorite music, movies, TV shows, and so on. That could involve speaking, mannerisms, clothing, and so on. That is part of being a young fan, really, what I might call imitative play. And I would include…