yayyyy! with Beady Eye dead, Andy can finally go back to making good music. As much as I like the bands, he was wasted in Oasis and Beady Eye, none of his songs he wrote for them are near as classic as the Nowhere/Going Blank Again years.
yayyyy! with Beady Eye dead, Andy can finally go back to making good music. As much as I like the bands, he was wasted in Oasis and Beady Eye, none of his songs he wrote for them are near as classic as the Nowhere/Going Blank Again years.
Grade seems a bit right. The Tiny Terry thing felt odd, because didn't Zeke and Terry have an understanding last season? And the whole, I'm the boss who is too nice and will get walked over is so overdone, but the resolution with Amy felt genuine, so at least it wasn't just a checklist of new boss cliches.
Kind of like Awesome-O, or Royal Pudding? Yeah, that'd be more reliable for laughs, and though episodes like this and Let Go Let Gov are almost painfully mediocre, their timely social issues can be brilliant as well, like The Cissy or The Hobbit. I feel like South Park's best comedy is either comes from its…
To me this was a somewhat funnier Let Go, Let Gov. They meander between subjects, and it's just disappointing. I've seen so many commentaries where Matt and Trey say they should just stick to an A story, and complain about episodes with too much going on, but they just keep doing it year after year. Honestly though,…
I think nothing my Dikachu
What is, my Dikachu?
Will only watch if Anne Hathaway is Anne Hathaway.
Like the one cutaway at the trial of a woman who was raped, where Peter goes, "get to the sex" or something. But I guess I was using it as sort of a blanket statement for my general impression of their rape humor, which isn't fair, because those interactions with him and the bull were pretty hilarious. "Realizes he's…
Different strokes for different folks. I just didn't find it as mean-spirited as the family guy rape joke I guess. But I'll admit it's not fun to be on the side of rape as humor.
I know, that's usually Family Guy territory, but I dunno, it worked for me. Both as a callback, and as a subversion to Nathan's plan. So get off that high horse!
Sure it was decently funny, but I would rather have a larger continuity episode featuring the boys, rather than one Lorde reference and retard jokes.
Haha, that's exactly what happened in that Simpsons Comic story as well. Yeah, it's pretty stupid/unrealistic.
This episode reminds me of some Simpsons Comic story, but with Homer having a Krusty Burger. Still, a decent episode that didn't meander, which is fine at this point in the show.
Labyrinth 2: Electric Boogaloo
I guess I should have said John Hansen's Take on Me. They actually say in the commentary it's him.
Only one song that needs to be released in its entirety: Mr. Slave's Take on Me from Asspen. I want the rest of that so bad.
I love how bizarre these last two episodes have been, but this one was much better and meaningful. I'm just glad to see at least a B+, but I was hoping for an A-. Anyway, this new continuity for the season actually seems kinda revolutionary to me, at least as western comedy animation goes.
Good for him.
Gosh darn-it, I knew there was going to somehow be more Henry Rollins bashing, but I hoped I wouldn't. Right now, I'm not too thrilled about the SuperAirSuits, but maybe they'll grow on me. The traditional garb was pretty baller.