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Pat D.
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That pic at the top is definitely Elaine-face.

Probably the first truly great episode of the series…and Chuck's maniacal laughter at the end sealed it.

Pretty poor one since Lars cant even play his own songs.

All he needs to do is find an ensemble cast like Veep. No problem at all!

MMMMM….roof pizza….

Emmitt trying to hide behind a glass wall was epic.

Ok, bad choice of words (off the grid), I meant he's not who is really is, and perhaps he's taken that punishment to save Kim. And probably isnt working in the same courts/town as he was before—-in essence, accepting exile from his family and Kim.

That reminds me of the MadTV parody of Boston Legal.

I'm starting to think that the reason nobody asks about Henry, or is that concerned about him, is that he really is already recruited by the Center, and he reports back to them daily, on Phil, Liz, and Paige.

"Nobody's going to believe that you went back for seconds on that cardboard pizza—-you need a new alibi."

LOL, not even Margo Martindale would acknowledge Henry's existance.

But not using the McGill name, which is a large part of what Chuck has a problem with.

Agreed, but at some point, however, the actual attorneys would have wanted to look at the contents of the drive to build their case, and later turn the drive over to the FBI or HS to possibly stop the hack from happening. If IT passed the drive with flying colors, they would have no reason to not send it (or even a

I think we have a buyer for the Ass Pounder 4000(tm)

I think we all knew that Kim was going to be screwed over by her association with Jimmy. Perhaps he goes off the grid as Saul Goodman to save her from a downfall?

Mike would read the SHIT out of a book.

Poor Mike—-if he only knew Walt at this point. To toss those sneakers —- dude is extremely accurate throwing things on top of other things.

Dan Spitz is busy making watches.

Archie Panjabi, causing Jason Alexander to hold a grudge for 5 years and refuse to film scenes with her.

That was the response that got George to pull a U-Turn during the credits.