Probably about the same amount of difficulty, just for very different reasons.

It's out of his usual wheelhouse, but I think Mike White could make something great out of a Vonnegut novel.

I'm furious at Laura Dern for making this her first post-Enlightened TV project.

Who she played in a great sketch directed by Jill Soloway.

I feel like I haven't seen Dennis Franz in anything since Homer S.: Portrait of an Ass Grabber.

And this is why you should punch anyone who screeches, "Who cares? This isn't news!!!" when a public figure comes out.

I thought Kesha was fine? Also, her bandmate telling off Jane for being a breeder was very relatable.

I still shudder at the thought of New Girl's fat suit usage.

Because the hatred of it is insipid and overblown?

I'm really hoping the Laura/teacher crush goes as dark as it could be because Patrick Heusinger is stupid handsome and that'd be an entertainingly thorny plotline. She's definitely the one of the three who most needs integration. I continue to like the show though, and frankly I don't see why the familial dysfunction…

Oh. People still say that?

I need a crossover episode.

I only try when it warrants the effort, darling.

Sorry for not trying harder to refute your baseless bullshit assertion that release date has any kind of bearing on quality!!!!!!!

Yes, everyone knows that the only good films are released in November and December, which is why everyone is still talking about that perennial classic, We Bought a Zoo.

But Tilda fits any and everything!

You don't! Inside Llewyn Davis is right there.

I was thinking about how terrifically this was put together, although I'm just the slightest bit mad that there is almost more Jonah Hill than there is Tilda Swinton. There should never be more Jonah Hill than Tilda Swinton in a film's trailer, especially for films Tilda Swinton is not in.

The cat didn't die. He hits a different animal.

Inside Llewyn Davis is a masterpiece and essentially perfect, but okay.