This album is gripping, and I’m slightly stunned by its somewhat lukewarm reception.

I do not think so. And I think you’re right.

I don’t have a particular moment that especially sticks out. Certain early episodes of No Reservations will always remain, the Rome episode (black and white) and Montana are all-timers. Also, he managed to give the best interview of Barack Obama during the entirety of his presidency.

I know it’s easy to ignore/overlook Kanye West right now given his insane antics and terrible solo release, but KIDS SEE GHOSTS is surprisingly great. Can we get a review pleaaaassssee?

Thanks for your story!

Man, it’s like a huge part of my youth just fucking blinked out.

Yup, you nailed it.

It really is a perfectly lovable and irreverent movie. It’s a fun watch and, growing up, I was madly in love with J Lo Hew and she is really, really hot in this movie. So there’s that.

Of all of these, Superbad absolutely resonates the most. I remember seeing it several years after I finished high school and it succeeded at doing something I didn’t think was possible: making me feel nostalgic for those four years. It really is a tremendously well-written movie.

Thanks!

This show is fucking badass.

“American Pastoral” is a tremendous novel, but “Sabbath’s Theater” is the one I’ll always remember.

REJOICE

I never said Pollard’s albums are not good, or bad. I listen to everything GBB put out, and can’t immediately think of a release I haven’t enjoyed. That being said, the Malkmus highs are much higher than the Pollard highs, and are much more numerous (*in my opinion!*).

Meh. Quantity versus quality. Malkmus is without a doubt more consistently great. I do like Pollard though.

No one writes better hooks than Malkmus. No one.

Exactly this!

This is the first episode of Westworld that is legitimately great.

that they always sound the same.

Plastic Beach is so good. Kudos on the nod.