great news for fans of shitty digital projection who weren't fortunate enough to see it in 35mm or 70mm.

Species II, although I adore Peter Medak's other films. Because I Said So, The Holiday (2007) and Texas Chainsaw Massacre: The Next Generation (1997) all come close, though

With fake hues and digital artifacts that are glaringly obvious in a theatre. I refuse to watch a DCP. I'll wait for a Blu Ray if no 35mm prints exist. I just saw a stunning, 70mm print of Walter Hill's Geronimo (1993) last night. No 4K bullshit will match something like that

Elaine May's The Heartbreak Kid is one of the funniest films ever made

Martin Brest's first feature, his AFI thesis film HOT TOMORROWS, also deals with the isolation experienced by elderly people. Really excellent film.

Roth's first produced work is the brilliant crime film/neo-noir THE NICKEL RIDE (1974) for Robert Mulligan, which is on DVD with John Frankenheimer's crazy and outrageously entertaining 99 and 44/100% DEAD.

His TV miniseries Broken Trail is excellent, too

he's still got it. UNDISPUTED is glorious, and I really think that GERONIMO and WILD BILL will eventually be recognized as masterpieces.

I don't know where to begin with the incredibly stupid dig at Vancouver. The urban sprawl of the Lower Mainland is one of the most beautiful looking places on earth, and is readily identified by its light, creamy color scheme on urban high-rises that nicely complement red brick houses and the encircling Pacific ocean.

all of his films without Edgar Wright are shit

Zara isn't cool enough because they have shit taste and their parents can't afford it #greatrecession

I'd rank ZIM above it. Astonishingly creative and hilarious

the last great Nicktoon. If only they'd stuck it out with this instead of shit like SPONGEBOB.

I was amused by watching STEVE JOBS in a multiplex when that clip played, as Ridley Scott's THE MARTIAN was upstairs playing to a much larger audience at the same time.

The UCLA Film and Television Archive is screening it in the only proper format tonight: 35mm celluloid, which best displays the magnificent bleach bypass processed employed by Michael Radford and Roger Deakins.

I think it really does an admirable job of translating Seuss' world into live action. Certainly far more successful than Ron Howard's GRINCH. Not as faithful as Ralph Bakshi's terrific BUTTER BATTLE BOOK, though

You say bad, I say avant-garde masterpieces.

I genuinely love Bo Welch's live action THE CAT IN THE HAT film. One of the most outre and bizarre Hollywood films of the 2000's alongside FREDDY GOT FINGERED.

they're serious artists with wonderful bodies of work.

I remember that. He's a drug addicted nightmare. Gary Busey hospitalized two of his girlfriends during the late 80's.