Yep. He's so fiercely independent and eccentric that he alienated many people, though. Here's a great article about him: http://www.newstatesman.com…

the man really released great albums after his debut, but it's a shame U.S. radio gave up on him. SYMPHONY OR DAMN is stunning

ah, yes. Carlos Santana is (in)famous for that shit, too

was she involved with the Black Israelites, a la Whitney Houston?

10,000 Maniacs' was stunning, but I wish the David Byrne duets could've made the album.

"Adam Lives in Theory" seems to say that AIDS is god's retribution against sinners. Yeah, I try to forget about this album.

It was more pandering to the Christian market that was dressed in a period film/action movie. Jack Huston is horrific

Sorry, Mike. I just think Skolimowski is among the greatest living filmmakers in the world, and this was an incredibly fun outing from him. Hold back on the snark and actually concentrate on analyzing it

Gods of Egypt is so audacious and bizarre that it deserves a bit of respect. Surprised to not see BEN-HUR here

No Bridget Jones' Baby? This list is useless.

"Instantly dated jokes"-so, perfect for Saturday Night Live viewers

Deadline? The shitstains from Drudge and Breitbart tend to end up there

Bill Gunn's STOP (1970) is an enormous omission. Warner Brothers has essentially buried it since 1970, as it received a handful of test screenings in Texas circa 1972, screened in New York after Gunn died in 1989, and has not been shown in celluloid since. Another notable one is the original version of Ralph Bakshi's…

I've learned calculus, converted to Thelema and learned Afrikaans as a result of being on Reddit instead of working

The Front Page and Beat the Devil just had beautiful restorations undertaken

Lack of media literacy + blind trust in organized religion + terrible educations/functional illiteracy= Trump's America

I love how he helped get brilliant, beautiful films like MISHIMA: A LIFE IN FOUR CHAPTERS and TWICE UPON A TIME made, but it's incredibly frustrating to know that he could've ended the ownership challenges surrounding Orson Welles' THE OTHER SIDE OF THE WIND over 25 years ago but elected not to.

virtually all traditional animated films and television shows employed cels until the mid-90's. Disney's CAPS system wasn't used for an entire feature until 1990, and most American shows were both shot on celluloid and used acetate cels through 1994 or so.

I own several cels from this and Otomo Katsuhiro's segments from NEO-TOKYO and ROBOT CARNIVAL. Incredibly gifted artist and director.

you lost me with fucking Dave Eggers