Yep. Thankfully, the original camera negative is intact with all of those scenes. Fascinating movie as is, though, with beautiful visuals (including some very subtle CGI) and an amazing Elmer Bernstein score

seeing The Plague Dogs in 35mm at L.A.'s Cinefamily last year was one of the highlights of my life. However, it was never aimed at children. Unlike Watership Down, Richard Adams did not have a young readership in mind when he wrote the novel

each episode looks dated within weeks of airing. Topical humour bullshit that revolves around a million television talk show sketches. 99% of the show is absolutely terrible, with some of the big exceptions being Tom Schiller's filmed segments and some of the animated shorts like MR. BILL

does Carvey do that Mickey Rooney impression he delivers during every single television interview he gives?

For years, I thought they were the same person writing under pseudonyms. They both have awful taste

beautiful film with a phenomenal performance from Timothy Hutton, who's also amazing in Lumet's Q&A (1990).

calling THE SEA GULL "tin eared" and being "baffled" by the focus on the magnificent DANIEL indicates that you really don't understand his works. I love the scope of his oeuvre-he made the most extreme and outre Tennessee Williams adaptation ever in LAST OF THE MOBILE HOT-SHOTS.

Museum of the Moving Image is the best thing in NYC

Still, they're more interesting than shite like Bon Iver, The National, Tame Impala and Animal Collective

Christ, I was just watching Burns' appearance on COME DINE WITH ME from a few years ago.

He was easily one of the greatest filmmakers of the last 60 years

that Basquiat is stunning. He paid one of his landlords in paintings, and she subsequently acquired one of the biggest caches of his work in the world.

the "Wild West" never existed. you couldn't bring guns into many towns.

considering he achieved more commercial success in Europe than North America, I'd say yes

giving this film anything less than an A+ is fucking bullshit, and the AV Club should be ashamed of themselves

NBK producer Jane Hamsher deserves much of the credit for this soundtrack. Read her excellent book on the making of the film, Killer Instinct

L7 and Babes in Toyland's reformations have been wonderful. Probably won't see Come return, but Thalia Zedek is active and awesome.

Alan Partridge and his never-seen son Fernando Partridge.

Duckman and his sons Charles, Mambo and Ajax

Can these skits really be any worse than the shit that makes it to air?