he's nowhere near as bad as Richard Butler from Psychedelic Furs.

Mani was still in the band, and Aziz Ibrahim has done great work on Brown's solo records.

"Begging You" is a favorite. Love the b-sides "Moses" and "Ride On", too

sure they do. "Love Spreads" is brilliant, just like 3/4 of Second Coming and its b-sides.

Can this article be any more indifferent? Christ, every other site covered it over 24 hours ago. Not everything can have the appeal and timelessness of fucking Dawes

no mention of the book she was working on at the time of her death-a novel entitled The Cut Man, which delved into her fascination with boxing.

I watched it for the first time as a 13 year old and I found it to be incredibly grating. I don't know why it has such a huge cult following, but Young Sherlock Holmes does not.

it's certainly the best satire on American culture ever made

Otto Preminger deserves a beginners' guide here. I love Porgy & Bess and his underrated late-period films like Such Good Friends, Tell Me That You Love Me Junie Moon and the incredibly bleak spy film/apartheid drama The Human Factor. He was a real original. A true piece of shit to his actors, too, but one hell of a…

…I never said we weren't.

The humor makes me physically cringe and recoil in discomfort. I do love the 3 films Rob Reiner directed before it, but I generally prefer his father's work.

It started a whole wave of 50's/60's nostalgia, including Happy Days. Dumb fuck

Yes

blame George Lucas and AMERICAN GRAFFITI for that, not GREASE.

BRIDESMAIDS is an awful film. I pretty much hate all of SATURDAY NIGHT LIVE; I think topical humor ages terribly, and it's mostly lowest-common denominator shit.

It's not perfect, but it lead to BATMAN RETURNS, which is still the greatest superhero film ever made, bar none.

FIRE WALK WITH ME is infinitely better than MULHOLLAND DR. Richer characters, incredible visuals/sound design and extraordinarily funny, too

HOWL'S isn't terrible like TALES FROM EARTHSEA or THE CAT RETURNS, though.

I love GREASE 2. Great songs, nice Cold War paranoia, and horny teens interested in fucking instead of love.

Sofia Coppola's LOST IN TRANSLATION. Not just horrible and totally flat, but extremely patronizing towards the Japanese. Frankly, it's borderline racist.