Knows what?

I'd be surprised if he didn't.

Apart from the outstanding scenes between Elizabeth and Phillip, how amazing was the scene between Claudia and Elizabeth in the car? I know this comes up every week, but it's a shame that Margo Martindale's talent is being wasted on The Millers when she could be a regular on this show. The way she was able to clarify…

This is the first time I noticed that was Michael Fassbender and this is my third time through the series.

My first time through this episode I was really impressed with the production values from the get go, even though this episode focuses mainly on establishing the characters and setting up the relationships within Easy Company. You can tell in every frame how much care was put into bringing this story to the screen and…

I actually think Schwimmer does a really good job here with what is essentially a two-dimensional caricature. Now, I'm not saying that Sobel wasn't the type of asshole that he's depicted as here and we only spend a few moments with him if we look at it from the perspective of a 10 hour miniseries. But for such a…

If nothing else it has the greatest Macbeth death scene ever put on film, imho. That aside, I think the brutality of Polanski's interpretation does away with some of the ambiguity of the play's morals, but that seems to be precisely the point. I mean, Polanski's state of mind after his wife's murder is all over the…

I might have to do that. The thing is loaded with awesome extras and the Soderbergh commentary sounds amazing.

But then again Tucker's cursing is an art form.

Malcolm Tucker would disagree.

"Just because my last name rhymes with liar. How lucky am I that I'm not Selina Mapist or Selina Medophile?"

Now I'm sad about his death all over again. I think he had a bright future as a character actor in movies that was unfortunately cut short. His turns on Not Fade Away and even as a romantic lead in Enough Said were fantastic and have made me appreciate his skills as an actor a lot more, which is saying something for…

Thanks @avclub-f8f8c273f326be25421cc62737d24a9e:disqus! I guess I'll eventually have to settle for the StudioCanal version, which I've seen before and has a great commentary track, but apparently the transfer on that one is not as great as the Criterion release.

I've been trying to get my hand on The Third Man Criterion Blu-Ray for a while now, but I can't find an affordable one even on eBay. Do you know if the reason it's OOP it's a rights issue?

Start with My Kind of Woman, that was my gateway into his music.

I wouldn't say her reaction was as simple as that. I re-watched the episode recently in preparation for the new season and the great thing about Julia's performance is that she combines guilt and discomfort (not outright disgust) in her reaction to the outcome of the rescue. Yes, she makes it all about herself, as she…

I second the recommendation for In the Loop. It has one of the greatest James Gandolfini performances outside of The Sopranos.

I second the recommendation for In the Loop. It has one of the greatest James Gandolfini performances outside of The Sopranos.

Jonah's idea of appropriate flirtation:

I particularly like that she barely mouths "fuck off" instead of fully pronouncing it. That little detail somehow makes it all the better.