avclub-fcd4c889d516a54d5371f00e3fdd70dc--disqus
miles_underground
avclub-fcd4c889d516a54d5371f00e3fdd70dc--disqus

Justified I was onboard during the pilot.  I'd I had to pick the moment that show got me, it'd have to be, "You'll pay to find that out."  Hannibal intrigued me early on, but it was probably the third episode or so that got me hooked. 

There was also The Happening.  It was a few years ago but I feel like it should be mentioned.

Ah yes, Lady Gaga.  A true original.

I think Andrea's speech about how she died because she nobly believed she could save everyone should have been capped by someone saying, "Sweetie, you died because you were handcuffed to a chair by a rat bastard psychotic you should have killed *days* ago."

Your comment reminds me of what I think of every week; how awesome would Walking Dead be if they head Justified's cast?

She says I'm a catch!

Carl also used it in the ep where Tyrese and his people first show up in the prison.

I fully expect Carl to take Rick to the body and show him the hold out gun the kid had tucked in his waistband. 

Because it is a new restaurant opening in my area, I have become fond of exclaiming, "Sweet Tomatoes!" 

It could have been a really good, transforming moment.  Glenn and Maggie are on the wall, ready to massacre the invaders in a withering crossfire and when they pop up they see… terrified people running away.  These aren't mindless killers from Woodbury, but human beings who have been manipulated by a madman.  Instead

I agree.  My biggest problem with the show— tied for first with the characters' motivations seem to change depending on whatever this week's plot needs them to do— is that they rarely do something wholly unexpected and when they do, it's usually unexpected for the wrong reasons (as in, "Well, that was kind of dumb.")

It's like that old saying, "Everyone loves a cane!"

It's the third longest running show in BBC history.

The one I like is Bridget Monihan.  This is exactly like when I backed Chicago Hope and ER became the big hit.

I DON'T KNOW WHY WE'RE SHOUTING.

The eyes are the window to the skull.

Cracked pointed this out.  Hollywood uses it when they want the character to be a creative type who still makes a lot of money. 

Always some motherfucker trying to ice skate uphill.

He's British, you have to cut him some slack.  His southern accent is pretty decent though.  I'm not sure exactly why but American actors generally can't do southern accents without sounding like Foghorn Leghorn (unless they are actually from the south) but can do British accents, while British actors tend to be able

I would have been happier if they had done it inside and not 15' from where a guy had been headshotted by a sniper three days earlier, and also if they could get through one fucking guard shift where they actually watch for people coming up to kill them.