I thought this said Metroid Prime and got really excited.
Alas…

I always forget Matchstick Men is a RS movie. It's so good. One of the few truly intentionally-great Cage performances, too.

He's also very handsome and has a lot of friends! A LOT of friends, and his wife loves him a LOT, no matter what she says!

He's the Robert Dinero of directors.
If Ridley directs the next Fockers movie we'll have come full circle.

Sure. Sometimes the ride sucks.
It's what cigarette is saying. I don't go into movies looking for plot holes, with my arms crossed, waiting for it to suck. It seems like a LOT of internet-people do that. They want to scour the screen for plot holes so they can be the smartest person on their message board of choice.…

"He just, at a fundamental level, cannot write film/tv mythologies."
You do know that Lost is one of the most influential, beloved shows of the past couple decades, and it was beloved in large part BECAUSE of its mythology, right?

I love Lindelof. LOST is, probably not surprisingly, one of my all-time favorite shows, and I dug Prometheus. I've heard Leftovers is good, but I don't have HBO. (His involvement in Star Trek is pretty minimal—he like, co-produced it, which means basically nothing. And he wrote a draft of Cowboys and Aliens that then…

The good news is you don't have to see it.

I'm having a hard time reconciling the fact that The Martian looks exactly like Interstellar, with Matt Damon playing essentially the exact same character.

Moremetheus

Has that ever actually happened? He's written stuff about coming to grips with fan reaction to things, but I don't recall reading anything where he's like "leave me alone, stop being mean!"

Prometheus was awesome *dodges tomatoes*
Maybe I just watch movies wrong, but I didn't find there to be any glaring plotholes. I don't look for them; I just like to go along for the ride. I liked the ambiguity of it, and the sense of dread that pervaided it. I thought it was a gorgeously shot and ambitious sci-fi…

I would doubt music reviewers give most albums more than two listens.

In general, what did you think of Ground Zeroes? I thought it was fantastic. I feel like not many people checked out the side missions, which are all really challenging. It gives you a good sense of how change in time of day/whether will play a big part in TPP. Those daytime missions are tense as hell. Enemies can see…

For some reason I like Narrow Stairs best. It's inconsistent, but it's ambitious and super catchy.
Codes and Keys…no thanks.
Maybe "clunker" is the wrong word. Maybe I should say "forgettable." Because I literally have forgotten every song on those albums that weren't hits.

Has Death Cab ever released a great *album*? They have some great songs, but I can't think of an album of theirs that doesn't have a bunch of clunkers.

I don't want you monkey-mouth motherfuckers sittin' on my thrown aGIN.

I thought the Sonic Lost World soundtrack was fantastic. The Windy Whatever zone theme is one of the best Sonic songs.

I'm worried about Phantom Pain, because on GZ you had turn off the "reflex" thing (where it goes in slow motion for a second when a guard spots you) to get an S rank on all the missions. That's gonna be a bitch for what I'm hearing is a 45 hour game.

I, like a lot of people, probably, am playing through a bunch of Metal Gear Solid games this weekend. I finished MGS1 a week or two ago, and I've been chipping away at 2, which I've long held as my favorite. It's still staggering how much of an improvement it is over the first, from a gameplay standpoint. The…