Breaking Bad was such a one-note show that the repetition here is likely a feature and not a bug.

I only recently found out Reginald Perrin started off as novels and look forward to reading them, particularly after how you describe them.

Blandness is the bedrock of British cuisine.

There's a shopping centre that's about 60% empty that I was at a few years ago and my main memory of it is that a long row of shops was entirely closed besides for a Wimpy in the middle and it looked like the the bleakest place to eat ever. I was back there again recently and the Wimpy was gone so I hope someone…

I was talking to someone recently about how superhero movies do such a good job of being terrible and held together by nerd credibility and generic blockbuster flash that they're kind of impossible to deconstruct or make a solid satire out of.

My favourite thing about it is it implies Donald Trump isn't an already fairly embarrassing name. It isn't like Clinton Hardsteel is really Donald Drumpf.

I'd hoped it was really clear that it was. Every week there's an article somewhere saying how John Oliver has absolutely wrecked Donald Trump by making a point in a normal voice, then doing that thing where he shouts every syllable and then ends with the slowed down, solemn delivery to let you know the gag was about…

Considering he got d e s t r o y e d by John Oliver, this seems kind of pointless. Drumpf is already finished.

Because it's a great song.

They took a cue from The Avengers and handwaved the destruction of a city by getting most of the civilians hide from a the deadly alien invasion under the tables in a Starbucks and in the subway.

Too bad we gotta get old, Stallion.

She wanted to try making good movies for a change.

He should blow up generic looking urban areas and say it's Joss Whedon inspired to get nerds onside.

Yeah, I've seen Fight Club too.

They are/do.

As long as the big Disney franchises keep humming along, there's no such thing as financial complications due to bad movies.

Downvoted for terrible taste.

This would be good if it felt like it was by someone who actually likes electronic music.

Besides for his visualisations of text, is there a terrible looking digital zoom shot in this movie? It seems to be Collet-Serra's other, main visual signature and it's always awful.

Who are you calling "we"?