By cutting out all references to her childhood and the number her parents did on her really drained Amy of a lot of motivation. The one reference to all the things Amazing Amy got to be and have that regular Amy never did was not enough IMHO.

Yeah, the sound dialogue was really whispered and difficult to parse at my screening. What was up with the Jane Austen book?

That unnerved me to no end. The blood just coming up out of of shirt and under her chin. Ugh.

"Elvis has arrived in Missouri."

Phrasing!

And gone is the past tense of Go, as in Margo!

Can I just say that I loved her jump for joy (backward high kick and all!) after watching the interview with Casey Wilson with the hillbilly lady? That was phenomenal.

Or to wherever it is that CTU is again. Los Angeles, I believe?

Will Patton's character arriving back on Earth and seeing his son sprint to him with his Mom standing there smiling.

Yup. That's the one.

The Muppets screening. "Pictures In My Head." Saw it with my younger brother. Fucking brutal, man.

"I wanna go home, Forrest."

Mother Night is really good. It's definitely one of Nolte's best performances.

Bluebeard would be a beautiful starting point for Vonnegut and is essential.

It was at some point, but they seem to have deleted all links to the PDF of it on the interwebz unfortunately!

My favorite PFT moment may very well be "When the nose is detach-ed and I am riding it, is it still able to sneeze?"

Nope, he gave up due to lack of funding. The script still exists, though, and it's amazing. It seems to be his passion project.

Has Shane Carruth sent Megan Ellison the screenplay to A Topiary yet?

Look's like Cake Boss (Cake Boss!) is in a very deep tranch!

At the live show in Seattle, he said, "A bat." It was seriously the funniest thing ever.