He knew the cops were listening, so he was doing his best to make it seem as if she was a victim. You could see it in her face when she realized what he was doing. That's why he was bawling.

The drum work here is pretty lame. 

At the time, that routine would have killed on The Tonight Show. Edgy comedy was still on the fringes; Pupkin's act was vanilla and hacky enough to have appealed to a broad audience.

Baby, you're da greatest!

*shrugs* Dames, huh?

The writing and story structure in "Fryish" were brilliant, and the ending wasn't telegraphed at all, which made it stunningly impactful. "Bark" was just a long, melancholy story with a sad ending.

I'm pretty sure it's illegal for an Asian guy and a white girl to be together on screen without a while male present.

The source material.

You saw the photograph, right?

Absolutely not bad.

You might as well bring him back in the same movie. Why postpone the inevitable for another sequel?

"I don't want to sound like an asshole…"

"So yeah, I was bitten by a radioactive Osama Bin Laden, and when I woke up the next day, I had Osama Bin Laden's beard and love of caves. Because I'm Osama Vin Diesel."

"Dude, fingertip push-ups are for pussies. Knuckles, brah, knuckles."

Yes, songs with years in their titles aren't required to be released that same year.

Yellowbeard. It was the first movie I memorized line by line. "Sir, can I have three farthings for a lump of shit?"

Never get married.

Sue Lyon, or Dominique Swain?

It's not in all caps, and it ends with a period, not an exclamation point. And those are the reasons it makes us cry.

Implied? It was pretty obvious.