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Loopychew
avclub-ed050d63932389c336ff5076c0c63341--disqus

Shirtless Paul is the only time it ever made sense why Paul was even on
the show, first season. Although why he was into Sarah's aggressive sex
but not Beth's makes even less sense now.

Looking at TVTropes, I see "retcon" now covers any sort of fleshing out of previous continuity. I always considered it a negative term. Huh.

Another shoutout to Blake Neely, in going full Old West with the leitmotifs and the score. Listening to The Good, The Bad, and The Atom (probably not its real name BUT IT SHOULD BE) was fantastic.

Actually my legit favorite bit as someone who remembers too much about the OB canon is that we finally find out that Beth shooting Maggie Chen was genuinely an accident and not a direct result of knowing she was part of Neolution. One thing we know that the others don't at this point (Sarah, IIRC, thinks that Beth

Not quite the same, since the comic is more of a counterpart than GoT's adaptation..

Agent La Blue Ward

Ctrl-F "Graves"

Apparently she has a twin sister.

Any episode that gives us double Yael Grobglas is an automatic A+.

Maybe she thought being completely identical would be too confusing for people so she could more easily be distinguished from Petra/Natalia?

Regardless of how off the rails this show has been, I do thank the show for giving me three seasons of The Nikki B and Tom Show. I hope both actors manage to find better work.

Well, I'm glad someone enjoyed it.

Supposedly Jet Li and Aaliyah did have a kiss at the end of Romeo Must Die that tested poorly with audiences. I don't know if it's because interracial romances with black women or the sexualization of Asian men made people more uncomfortable.

The idea of her saying "Hey, I was a barista only four months and two years ago!" makes me crack up.

(Yeah, it's a reference to last night's Supergirl.)

I've said this before, and I'll say this now: crossover teamups like this one make me so, so hopeful that one day Jon Bernthal will be on Riverdale.

It depends on the death, honestly, because it depends on the traumatic potential of the death. If her husband died peacefully in his sleep, even at a young age, you know he most likely went without pain and that can grant her the power to move on. If her husband was run through a not-particularly-efficient wood

If you look carefully, you can see Grant Gustin ducking in and out of that ice cream shop really quickly.

Also, let's give it up for Blake Neely, who proves that one of the great things about writing all the scores for a shared universe include blending leitmotifs. And mashing together what I'm pretty sure are a 12/8 (Flash) and a 3/4 (Supergirl) score is genius.

Duh, it's because Siobhan never wore glasses.