lena is just so brave to expose herself like that.

and she drift-races with the yakuza.

the blood is love - queens of the stone age
going to pasalacqua - green day (wow)
miss misery - elliot smith
happy town - the replacements
obstacle one - interpol

terrorists bump fists.

kick fuckin ass!

that's exactly what i thought at the time. competently made, well-acted movie on a subject that i could not give a flying fuck about.

imagine the most painful, devastating way you think it could all go down from here, then triple that. it will be worse.

i have to agree with lurky. it has to be a troll. the fact that someone who can't write or spell whips out the old "i have a masters in literature" argument to validate their love of boondock saints is just too fucking awesome to actually happen.

i love the fact that there are so many good answers to this question.

imagine what it would be like to be in the car with him and franco, driving aimlessly around shitty florida neighborhoods at 3 am, high on oxycontin, weed, coke, and fish tranquilizers, and idiot-philosophizing about the movie:

she touched my peppy, steve.

have you seen the scientology video where he talks about his personal power, and how when he drives past accidents he can heal the victims with his mind? watch that, and you will never enjoy one of his movies again.

i like lagunitas a lot. their ipa maximus is one of my go-to's.

cliffy made a good point. i'm a marketing director, and the only, only thing i care about is return on investment. in some industries, creative and entertaining campaigns will drive revenue, but that's not always the case. most of the time there is no direct line between cool ads and ROI. creative people sometimes…

it really bums me out how far they have fallen. they were an important actual-news part of my time-wasting regimen, and now they are completely awful.

the influences you reference speak more to the show's delusions of grandeur than anything else. and the comparison to gatsby by is just a little sad, even for an LA paper.

why does hannah need to be 'redeemed'? hannah is a character in a work of narrative fiction. she doesn't have real-world problems or flaws, she has character notes. she's a construct. dunham doesn't have any responsibility to make her likeable, or redeem her. if you are looking to her to provide some groundbreaking…

i'm not taking that bet.

thanks, i will check those out.

i'm continuing my ongoing quest to find beers to drink when i can't find three floyds. when it's friday night and the store is out of zombie dust and alpha king, which it always is, what should i drink in chicago? i'm a total noob when it comes to real beer, so i'm open to suggestions. you kids seem like you know your…