Excuse me, Farmer Extremely Unhelpful, but . . .

Then why the hell are you commenting on the article, Doucherstein?

A well-known drag!

Ever since Anthology, Paul has been on an upswing artistically.  Flaming Pie, so fab.  Also he's gotten more contemplative and nostalgic, as befits the elder statesman.  

Yeah, more than one king of England supported their illegitimate issue, or fiddled with the laws to legitimize their kids (what up, Henry VIII).  Hence, Bryant is just a major jerkface.

There is an inordinate amount of movies where the main dude's wife or lover just died, it's not specific to Neeson.

Boo, it's upsetting that I'm getting to this article late, because I freakin' love that movie and scene, largely because of the totally unnoticed badassery of Marvin Nash, the newly-earless cop who is remembered as a whiner on account of Roth's "I'm fuckin dyin!" bit, but actually is pretty awesome.

I have been calling that guy Brett Fav-rah for like 15 years now. Never gets old.

Television acting is different from movie acting.  Cranston has been working on his character for four years.

Napster
Audiogalaxy
Grokster
Gnutella
Kazaa
Limewire 
Morpheus

For posterity:

Hens love roosters
Geese love ganders
Everyone else loves Ned Flanders!
(Homer: Not me!)
Everyone who counts loves Ned Flanders!

If I could pose a question to the multitude, and sorry if it's been brought up before in a previous thread:

It's nice character development for sure, and I think it ties directly back to the whole Pamuk fooferaw last year, when Mary realized she wasn't necessarily the firebrand rebel type she'd been posturing as (clearly that's Sybil instead), and started seeing some of the benefit in scheming inside the bounds of propriety…

But what if Justice Roberto Mendoza wants to participate?  He's got chronic hepatitis or some shit, can't take drink one.  That's some racist-ass bar trivia you got out there, westness.

You've put too much thought into this, Jeep.

Dudes, the problem wasn't the clip show airing before the finale, it's that the finale was in and of itself a clip show.  Every witness is the trial is there to provide a flashback to a funnier episode.

The spaghetti scene: an actual dream John Lennon had.  Like how people are always trying to bore you with stories of the dreams they had?  When you're a Beatle, you can have it filmed and put in a movie.  Because you are OG.

The people you were watching the Superbowl with lost the opportunity to get BossCocked by fastforwarding to possibly the worst Boss song of them all.