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K.C. What
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S. Carey
The Saints
Sam & Dave
Sam Cooke
Sandra Nkake
Santana
Santigold
Sara Bareilles
Sarah McLachlan
Sarah Vaughan
Scissor Sisters
Screamin' Jay Hawkins
Seal
The Seeds
Sega Sound Team
Semisonic
The Shangri-Las
She & Him
Sheryl Crow
The Shirelles
Shirley & Lee
Shirley Bassey
Shirley Brown
Simon & Garfunkel
The Simpsons
Sinead O'Connor
Sinoia

iTunes, that's who.

Actually, it fits much better with the final sequence of 2001: A Space Odyssey, if you ask me.

Fuck yeah, She's The One is a slab of awesome! Dunno if it's cuz it's technically a "soundtrack" album (didn't hurt Prince none), or cuz it didn't have any major hits, but I can't figure out why it's always been so underappreciated. Hell, I'm used to it barely being acknowledged as *existing* let alone how well it

Pam Grier
Panic! At The Disco
Paramore
Parliament
Passengers
Passions
Patti Smith
Paul McCartney
Paul Revere & The Raiders
Paul Simon
Paul Weller
Peaches
Peaches & Herb
Pearl Jam
Penetration
Peppermint Harris
Pet Shop Boys
Peter Gabriel
Peter Murphy
Phil Collins
Philip Glass Ensemble
Phoenix
Pink
Pink Floyd
Pixies
PJ Harvey
Placebo
Plastic

Pretty sure you already dissed it by MICROWAVING it, but whatever.

And what's the chance that this "certain content" will be about as exciting as the shows that qualified for Ticketmaster's vouchers?

Or (I didn't think of this until just now) some folks will pick a no-phones show, and then still end up pulling it out during the show…and their rationale won't so much be about the asshole/non-asshole divide, it'll be "but those shows are for people who wanna be on their phones the whole time, and I only checked mine

Or they will find out, but all those showings are sold out, or the only one that fits their schedule is a no-phones show, or they're going as part of a group and and and…

Uhh, that's exactly what they were doing…note the camcorder in Kramer's hand…

I completely agree with the sentiment, but unfortunately it's about as likely as clouds transforming into blood oranges. And considering we're stuck in a world where such behavior *will* exist (like it or not), AMC's plan really does seem to me like the second-best possible solution (after signal jammers, of course,

A forlorn Phil Collins croons in the back row … "I can see him, texting in the dark toniiiiiiiiiiiiiight"

"October is easily U2's most religious-conscious album"

Article above failed to mention that this installment will feature zero input from George Lucas, so depending on where you place the blame for Crystal Skull, this one … might not be so bad?

1) I'd already heard the claims regarding Blurred Lines' similarities to an unspecified Marvin Gaye track, but I hadn't yet heard the song itself. One day I'm in the car, flipping stations, and I hear a bit of what I think is not just *a* Marvin Gaye song, but specifically Got To Give It Up. After a couple seconds, I

"I knew lots of Cliff Huxtables," she writes. "We all did."

"I truly really felt that he was worth leaving my life behind" is the part that struck me as the most obliviously sad moment (assuming it was the truth, as you said). I just hope she's in a place right now where her life is fulfilling enough that it's NOT worth chucking in the air for a statistically slim chance at

*** Spoilers for shitty "characters" and a rage-quit ending ***

This was not what he had in mind when Leo was asked if he'd enjoy presenting at the next Oscars ceremony.