avclub-e9dfccd8e4fe70ca5df4538f67cf445d--disqus
SuperheroesOfBMX
avclub-e9dfccd8e4fe70ca5df4538f67cf445d--disqus

The operating table sequence in particular, I still watch that thinking "how the fuck did they DO that?!" - CGI is obviously necessary to pull off certain things that couldn't be shown otherwise, but I can't say CGI has ever gotten that reaction from me.

I've re-watched it a few times over the past few years and I feel like it definitely doesn't get enough love.

"I don’t think Bottin’s work has aged very well"

Good to know, will do.

wait… leftists are pissed off about something?

Dreck.

I really want this book.

#EdgyAsFuckBro

Bo Tucci.

To be fair, pretty much everything sparks some sort of Internet backlash these days.

You funny guy, Todd Barry.
I'm glad you had boner.

I only wish he always had the digitized 'Jon' voice in real life.

Day of the Dead is fantastic all around.

The worst thing about the show at this point is that we're watching the marketing decisions right there up on the screen, and it feels as though it's a very detached marketing department getting the biggest say in how the show is executed/edited - the endless teasing of outcomes and cliffhangers has become so out of

*John Connor looks around*

I'd love for the solo piano theme with the same riff to be included, too.

sigh.

Personally, I feel like if Lethal Weapon had a better, more serious score it would elevate the movie by a very significant margin.

Oh, riiight… this site is related to The Onion.

Splendid.