Argh, you are both correct. I am properly shamed.
Argh, you are both correct. I am properly shamed.
Well, to make things more complicated, there's this family dynamic going on too. Mal refers to the crew as his because he's ostensibly their dad figure. In a way, they all have a sort of ownership of each other.
Well, to make things more complicated, there's this family dynamic going on too. Mal refers to the crew as his because he's ostensibly their dad figure. In a way, they all have a sort of ownership of each other.
I see what you did there! You purpousfully misspelled a word in a way that made it sound the same, but also include a reference to a posterior!
I see what you did there! You purpousfully misspelled a word in a way that made it sound the same, but also include a reference to a posterior!
On a scale of 1 to Rad, space is pretty rad.
On a scale of 1 to Rad, space is pretty rad.
I went to an academic conference on the "Whedonverse" awhile back and there was an interesting lecture discussing Mal's morality, the play back and forth between hero and criminal, but the prime example when people talk down at him was kicking that dude, tied and at his mercy, into the engines. Justified? Definitely.…
I went to an academic conference on the "Whedonverse" awhile back and there was an interesting lecture discussing Mal's morality, the play back and forth between hero and criminal, but the prime example when people talk down at him was kicking that dude, tied and at his mercy, into the engines. Justified? Definitely.…
"He murdered a man."
"He murdered a man."
C- aside, at least the review wasn't just a long summary sprinkled with dismissive bits like the last one.
The problem with having a bunch of casual makeouts is who wants to introduce all those characters? I mean, I guess you could have some kind of make-out montage, but spending a buttload of time on who or what folks made out with on the sly slows down the pacing. Good for real life, not for fiction.
Establishing a wide cast of likable, sympathetic characters is not an easy trick to pull off, and they're doing a much better job this time around. It takes time with a character before we start to really like them (that point came for bolin in the last episode when he started to cry, if they'd try to do that in…
There have been a couple. They're both terrible.
The fight on the roof got me thinking, glass is basically just melted sand, so when are we gonna see some glass bending?
Why check bags? This is an era where all deadliest weapons are either scenery (earth, water, air) or can be conjured from basically nothing (fire). I think introducing NotGuns™ is a fascinating development.
Ugh… I just.. I cannot look at her face.