JT does seems like an extremely talented guy. I've never been into him personally, but that "Mirror" song is fantastic.

Then, Jessica Biel is Yoko Ono. (Except for the many ways in which she is not.)

What letter would be best, I wonder? W would be the simplest, but it just doesn't seem cool enough. SW is almost like wearing a character tee-shirt. A is a bit suggestive, but if it includes an arrow like the A in the Avengers title, it might be cool. E sounds like "easy." EO…wasn't Michael Jackson Captain EO?

I agree; Felicity does add a much-needed dynamic to Arrow.

Sci-Fi is really all about story, or should be. (Except when there are fantastic spacey visuals…)

I thought it was a Samsung Galaxy factory…?

I just watched the Arrow: Year One recap show tonight. What a great idea. I found the early episodes slow, but am excited for the new season.

I think that the article was talking about the 00s at that point, not backwards-including the 90s.

Tolkien just did not go for the mythology-mixing.

Also, Qui Gon. Will rise again.

I have not read the books, but Eustace from Dawn Treader is not someone who I want to watch a whole movie of.

This would be the first Narnia film without the film franchise's ultimate nonviolent weapon, Georgie Hensley.

That's so perfect.

All of the derivative, Hendrix-lite stuff notwithstanding, this song sounds cool. Riffs, brief chorus hook. I guess that I am torn, since I can think of a lot of more likely originally-conceived music that I hate a lot more.

I'm with ya. I was impressed that someone finally picked a song that I myself might pick (true, there have been some others), but I agree about addressing the song itself.

Yeah, that's what I'm talking about. Just convert to live action, basically.

The weird, maybe ironic thing is that The Hobbit is naturally more kid-oriented than LotR. But Jackson is not *really* adapting The Hobbit as it is written and the tone of it, but rather making another LotR trilogy, or attempting to under the guise.

I remember hearing that Pepsi had signed Williams to a huge deal before "Millenium" was played on the radio (small town US) for the first time. Basically, the guy was pushed as "a huge British popstar" before his music did any speaking for him. I never felt compelled to check him out beyond passively hearing a single…

I think that Spader is playing the audience (us) the same way that Reddington is playing the FBI. He has his hooks in.

Godspeed You Black Emperor (did I get that name correct?).