Hank said it out loud, but I thought this episode kinda proved there was some genuine emotion behind Walt's hug in the previous episode & on some level Walt considers Jesse family. If Walt was a total sociopath, he wouldn't give a shit about what happened to Jesse. It wouldn't take Saul and Skyler pushing for Jesse's…

One thing I love about "On Thursday We Leave For Home" is how it is strangely optimistic. Overall, most of the episodes of "The Twilight Zone" are pessimistic about humanity (and the universe in general), with the characters making choices out of arrogance, selfishness, fear, and ignorance, only to be destroyed by it…

If I recall correctly, Jerry is claiming that he didn't actually screw up or commit slander. That's what the Maggie interview was all about.

It was really well done,

If Healy sticks around next season, isn't he effectively the main villain/antagonist of the show?

If I recall my nerd-knowledge correctly, isn't it kinda Marvel cannon that Rocket Raccoon has an English/Australian accent? So is Bradley Cooper going to be putting on a faux accent for this, or is that getting thrown out the window along with Hank Pym being the creator of Ultron?

Does anyone have any experience visiting Belize?

I'm not so sure about that… If she wasn't going to talk to Hank, why would she go to the restaurant in the first place and avoid everything Walt tried to do to talk to her before doing it?

All Declan wanted was to get the "Blue Sky" meth off the market, and to take Fring's territory. Walt offering to cook the methylamine was a good deal for all parties, but it wasn't what Declan really cared about.

The family dynamics in this episode were amazing and utterly fascinating.

If I remember right, Millar wanted to legitimize the idea of registration by basically equating it with the argument for gun control.

If it's important to anything, I do think how well they stick the ending will matter to the legacy of "Breaking Bad" as to whether it remains in the argument of being the greatest show of all time with "The Wire," "Mad Men," and "The Sopranos."

They can't have it both ways though.

THIS.

"He's Alive" has its problems, but I remember Rod Serling's closing narration so well because it's one of those episodes, like "The Monsters Are Due On Maple Street" or "The Eye of the Beholder," where his' words sent a chill down my spine when I watched it for the first time.

There has to be exceptions for the use of cloaking tech, since the Federation "duck blinds" seem to use cloaks to disguise Federation observation posts.

@avclub-eb058ced22520c3a8f4e4a6e2fb16403:disqus As Sisko once pointed out, the Cardassians didn't build Deep Space Nine. Bajoran slave labor did.

The entire episode is full of role reversals that show how far the characters have progressed from when the series started.

The final scene of "Call To Arms" is I think the first time you see a massive fleet in a "Star Trek" series, and it's really the first time you get a sense of Starfleet's size and breadth within the "Star Trek" universe. If that is one task force, then there must be thousands of Federation starships.

One of the worst things about this story is that it gives the Alex Jones types and every conspiracy theorist something to point to and say "See! See!" when they segue into the infiltration of the Lizard People or faking the Moon landing.